Heatwave Vol. 1 - Gios4ma

Written by: Trey Fox

Jackson, MS rapper-producer Gios4ma unearths his vault, releasing Heatwave Vol. 1 to digital streaming platforms for its fifth anniversary. It previously existed on services such as Bandcamp, SoundCloud, and Youtube. While the project might be five years old, the subject matter, as well as the inventive production, rings true to the present day.

In under 25 minutes, Gio forges new and exciting sonic pathways. The EP is a perfect mix of instrumental tracks and more traditional songs with rap verses features. The instrumentals have a hypnotic quality to them, reeling you in repeatedly. The third track, “Kazca,” is perhaps the best example of this. With a layer of otherworldly synths, hints of static, and an incredible drum pattern that sounds tribal, it feels like you’ve been placed in between the past and the future.

The EP flows naturally, and Gio makes efficient use of its duration. The project is consistent throughout, and Gio’s heatwave metaphor unravels as it progresses. Contributing to the “heatwave” are issues such as social and political tensions as well as an epidemic of crime and violence. Songs such as “Saudade samba,” “Battleground,” and “Jungle Book'' effectively address these themes. Chicago rapper King $ly and LA rapper Ghostie 8k’s verses on “Saudade samba” reflect the post-2016 election. $ly and Ghostie 8k address issues such as propaganda, racism, and perseverance through difficult times.

The project remains consistent throughout. Hux paints a vivid picture on “Battleground,” one that depicts scenarios that require one to do what is necessary for survival. On “Jungle Book,” AERO SANDHILL mourns the loss of childhood innocence and former friendships. He also feels trapped in his existence, describing his life as one constant loop.

The record closes with “good.game.everyone,” an instrumental that feels both spacey and aquatic. Gio accomplished a lot with this EP, and it’s one that fans might come to appreciate more as they unpack it with repeat listens.

THEGUUDS w/ Cyan, Malik Elijah, Illusion Hills, Skodi & Keys Open Doors

Keys Open Doors - “Sip N Slide”

Hilltop, Washington native Keys Open Doors dropped his latest groovy single “Sip N Slide.”His vocals are bright and dreamy, creating a comforting setting as he unpacks on a relationship that may have a chance to continue on. The blended west coast chords with neo-soul essentials suit perfectly for Keys to have fun with his writing. Poking fun at the situation by making marvel references and flirtatious warning as “try not to lose your mind.” Keys is in his world and listeners should be grateful to experience a glimpse of his sonic endeavors. In 2021, Keys Open Doors released two EPs, Northwest Approval and Fool’s Journey. Our eyes are glued to what’s next to come from Keys.

ILLUSION HILLS ft ALDRCH - “CHASM”

Collective Illusion Hills recently teamed up with Aldrch for their latest sonic offering “Chasm.” This song sets an empowering tone for steamrolling through the changes life brings you. The writing is direct and drives the feeling of the song. Produced by 21-year-old Aldrch; The high distortion levels and striking guitar riffs add to the group's endless sound spectrum. Consisting of eight members, the group’s prestige is finding a well-balanced groove so each member could flex their creative skills. On their latest single, the collective is embracing their hyper-pop side confidently. Last April, the group released their single “genesis” and the month before that, they opened up for KennyHoopla. We’re excited about what else the collective has planned for this year.

Skodi - “1984”

FL native Skodi returns with her latest single “1984.” On her latest single, Skodi is done playing games and stepping in her own. The hook gets straight to the point. As if what she’s saying is a promise, not a threat; which is dope af. Her cadence and flow add an extra bounce to the production provided by HeavyKev. The hushed 808s and steady high hats hold the song together effortlessly. This track serves as a soundtrack for steamrolling through your haters and self-doubt. The hook is catchy and gets right to the point. Last March she released the single “RACE!,” and we heard it through the grapevine that she’s planning on releasing a new project within the next coming weeks.

Cyan - “Costing”

UK R&B artist Cyan recently dropped her latest single “Costing.” This song is refreshing and nostalgic at the same time. Cyan’s tonality paints a vivid silhouette against her heartfelt writing; it feels personal and therapeutic for her to get it on paper. The harmonies are alluring and gracefully lead listeners to a place of appreciation. The production plays a great part in the arrangement. The soundscapes blend modern and 2000’s R&B with Reggae, as if it’s an experiment that never fails. It legit feels like Timberland’s and Pharrell’s doppelgängers had something to prove and wanted to provide a twist. The sticky snares, the four-count into the song, and airy chords provide the perfect canvas for Cyan to fully present her talent with no interruptions. Earlier this year, Cyan released “DWYW.” Definitely excited for what she has in store for the year.

Malik Elijah - “DONTPLAY”

Maryland native Malik Elijah returns with his latest single “DONTPLAY.” On his latest offering, Elijah exudes confidence and displays his lyrical abilities at a high level. His pacing and voice inflictions highlight his comfortability in his practice. What’s dope about Elijah’s writing is there’s a message he’s trying to get across but it doesn’t feel preachy. He speaks about the preciousness of life and how we need to live every day like it’s our last because life is short. The whimsical sample and ear-punching kicks suit well with his cadence and delivery. Earlier this year, Malik Elijah opened up for EARTHGANG and released a few singles along the way. We’re excited for what he has in the works.

Ajna - “Lifelines”

LA-based artist Ajna returns with his latest single “Lifelines.” The bright jazzy production provides a safe space for Ajna to reflect on his current schedule of life and ambition to overcome the obstacles that try to deter him from his goals. On his latest sonic offering, he speaks about deciding to better himself and go harder for what he wants in life. His delivery is compelling and makes his words feel like a mantra. The metaphors that bleed through his pen are poetic and allow listeners to make their interpretations. Last month, Ajna released “Fall So Short” and is expected to drop a new project this summer.

SON - the hermit, SUN!

Written by : Adrian Richards

Charlotte based rapper JUNE! (fka Shawn May) released his latest piece “SON” under the moniker of “the hermit, SUN!”. The 9 track LP feels like a metamorphosis for the emerging MC. The lighthearted tone of the production clashes well with the darker gruff tonality of SUN’s voice. Throughout his latest project, SUN! sounds more recharged and his words are as clear as ever. A definite shift from his usual works as “JUNE!”, as he taps into his Viktor Vaughn inspired persona.

Compared to his previous works, this project takes a more personal approach. . On “1010” produced by Kingayeo, SUN dives into his current and past life dealings. “I feel like Steez…I ponder many times sending that last tweet”, expressing the similar feelings of disparity shared with late the Brooklyn rapper Capital Steez of Pro Era. Expressing regret in the self-featured “lost way”, reminiscing in “SON” & “change”. Fellow IND members Jay Cinema and Roman. shine on their contributions, displaying the smooth cohesiveness with SUN’s vision.

“SON BEEN THE ONE!” screams Fayde, the high pitched conscience on the final track “SUN”. This project solidifies JUNE! as a rising force in the underground and shows his ever changing skillset as an MC. We’re glued to what he has in the works next.

THEGUUDS w/ Heath240, Honeybee & Memoir.

Heath240 - “Ayudame”

Boston native Heath240 returns with his latest single “Ayudame.” The vocal experimentation captured our ears at the initial listen. On his latest single, Heath240 reflects on internal worries due to peers not answering his phone calls. In the beginning, there’s a repetitive background vocal that says “are you the man?”  It sparks that question of who the go-to person goes to when they’re in need. Heath240 is trying to find balance for himself and those around him. The bass guitar throughout the song provides depth to Heath240’s honest writing. Last year, Heath240 released a few singles, adding to his evolving catalog. Currently, he’s working on a visual project titled I Love Watching Dead Flowers. We’re excited to hear what else he has in store!

Honeybee - “BAGS”

Philly native Honeybee, formerly known as JAHMENA makes her return with a new sound and image on her new single “BAGS.” Honeybee exudes confidence and serenity on her latest sonic offering. Through refreshing cadences and admirable voice inflictions, Honeybee demonstrates her flair for getting to the bag and dismissing any negative energy. “BAGS” encourages listeners to smile during those moments of pursuing financial freedom. We’re excited to hear what else she has planned for the future!

Memoir - “Poised II.”

New York native Memoir returns with his latest sonic offering “Poised II.” Memoir flows effortlessly on the NY drill beat. His pockets are versatile and do not feel stale against the flourishing NY sound. The production carries a subtle sample but is saturated in heavy 808s and hollow snares. Memoir. is confident and holds no punches towards manifesting his ideal lifestyle. This single serves as a follow-up to “Poised,” which will soon be a collection of songs that captures Memoir.’s mental toughness for overcoming unforeseen obstacles throughout his life. In 2019, his debut project Breathe EP dropped and displayed his widespread sounds and lyric ability. After his debut, Memoir. has released various two-packs to strengthen his soon to be extensive catalog. We’re excited to hear what else Memoir. has in store.

THE LORDS OF SOUNDS AND LESSER THINGS - mynameisntjmack

DMV artist mynameisntjmack returns with his follow-up project THE LORDS OF SOUNDS AND LESSER THINGS distributed by Genius distro. When it comes down to it, mynameisntjmack is the definition of trusting the process and building genuine relationships beyond the music. Mynameisntjmack was one of the first few artists we interviewed over here at tooguud and it's amazing to see how far he’s come within two years. His passion and drive to pave out his placement in music have been evident since day one. Beyond all the small life setbacks and re-routing, he’s always managed to continue working towards his manifest destiny.

We are experiencing mynameisntjmack at one of his highest levels of creativity and comfortability going against the popular sound. Executive produced by his longtime collaborator and friend John Whemeyer, the wide range of sound elements, opens the field for mynameisntjmack to express without restrictions.

On “TUCKER,” he talks about his current state of mind and finds appreciation in how things ultimately work in his favor. The hook is very catchy and the soulful harmonies smothered in the background are soothing. His pacing and tonality is compelling, making it easy to digest his message.

On “NODEVELOPMENT” featuring MARCO PLUS; mynameisntjmack confidence bleeds through the writing and cadence is flawless. He’s coming into his own and glides with care over the polished lo-fi production provided by lim0. MARCO PLUS’s delivery is sharp and his use of imagery makes it allows audiences to paint pictures behind his words.

“THEMOONLANDINGWASFAKE” shows mynameisntjmack disbelief towards his new sense of notoriety. He reflects on his friends passing him by and dealing with the urge of trying to catch up with them. The feature by KADOLEAF is grounding and meshes well with mynameisntjmack metaphoric delivery.

The jazz sample on “DOVE$BLEED” is enchanting and provides the perfect atmosphere for him to unpack his current internal battles.

“Have you ever seen doves cry?”

The beauty in this question connects directly to the messaging of the project. Doves don’t cry but it's the loud noise of pain that’s released from them that allows humans to imagine their deep sorrow. It's the same with mynameisntjmack, he has a graceful way of showing pain without making listeners feel bad for him. He never shows too much, while at the same time not showing too little.

Production credits are held by aebeats, Stoicbeats, lim0, 8een, Charliep, drachemusic, Gutty, and Johan Lenox. Resting at a duration of 25 minutes, the project also includes stunning features from Dre Wave$ and Tommy Richman. Before the release of his project, mynameisntjmack released a single with Tommy Richman called “BUNKER/PREROLL,” which had a great buzz on TikTok and flooded the music blogs. mynameisntjmack is here and keeping the pressure!

Ghetto Popstar Vol. 1 - Rodney Chrome

Rodney Chrome is back! After his 2020 release QUEER PRESSURE, Chrome has kept his foot on the culture. He has featured in fashion campaigns and recently graduated from NYU, where he gave a commencement speech to his graduating class (Homie had Taylor Swift crying.) Chrome recently dropped a two-pack EP titled Ghetto Popstar Vol. 1. His latest single is disruptive and elegant. The heavy distorted drums and choir vocal arrangements supporting Chrome are addictive.

On “Famous,” Chrome reflects on his journey to becoming famous and embracing the small hurdles that may come along. On “To The Money,” Chrome is displaying his joyous mentality towards getting to the money. As if the thrill of the chase is more exciting than actually getting the bag. Chrome’s confidence bleeds through these two singles. He’s taking control of his destiny and manifesting his future. There are so many layers that highlight his determination to reach his ideal level of fame.

Chrome’s production choice always captures our attention; This shit feels like stadium music. Production provided by Benchwarmer and Kris Malanin is original and captivating. Both producers created a safe atmosphere for Chrome to explore his creative offerings in full force. We’re huge fans of Rodney Chrome and excited to see where he’s taking his audience with the new rollout method.

THEGUUDS w/ Dani Offline, Troy IV, Wavy Bagels & Pangeaux

Dani Offline - “I Believe You”

Oakland, California singer-songwriter and producer Dani Offline returns with her latest single “I Believe You.” Her voice is angelic and superb over the ageless synth chords. On her latest single, Offline reflects on the disbelief her heart embraces when someone shows her affection. The vocal arrangements are placed with care and the percussion on the track is tranquil. The writing is metaphorical and filled with similes that demonstrate her infatuation with her lover. The harmonies at the end resemble the feeling of butterflies in your stomach, which we thought was pretty dope. This song was fully written and produced by Offline in her bedroom. In 2019, Offline released her debut project Water Signs, which truly highlights her writing and ability to guide productions through the use of her voice. Our eyes are glued to whatever Dani Offline has in the pipeline for the future.

Troy IV - “new to this”

Maryland native Troy IV returns with their latest single “new to this.” The production has a gracious balance between modern R&B and garage. The drums are unorthodox but IV’s soothing crooning creates a soulful atmosphere. His pacing mellows out the uptempo production. What’s cool about this song is, that it feels familiar however, IV’s voice displays a refreshing presence. He jumps out of different pockets while maintaining a tonality that suits as an instrument on his latest single. Earlier this year, Troy IV released two singles “Take it Easy” and “Just Friends.” We’re excited to hear what else he has planned for the future!

Wavy Bagels - “SLICE”

Queens NY artist Wavy Bagels recently dropped his single “SLICE,” which feels like the perfect song to play for folks who could appreciate lighthearted melodies and tongue-in-cheek writing that’ll make you feel youthful.

This track is such a vibe! Fully produced by the Queens native, Bagels’ does not shy away from experimenting with his vocals and using imagery to truly paint a picture behind his words. The “pizza pizza” lingering sample throughout the track ignites nostalgic memories if you are a 90s baby. The production sets the tone for Bagels’ to explore metaphors to fully get his creative perspective onto wax. Next month, Wavy Bagels is expected to drop his highly anticipated album BAVY. We’re excited to hear what else he’s been working on.

Pangeaux, Logan Sherrick and E The Profit - “CHOPSTICKS”

Newport, Kentucky artist Pangeaux joins forces with Logan Sherrick and E The Profit on their latest single “CHOPSTICKS.” Each artist brings a unique energy to the song, keeping a cohesive momentum throughout the song. The production provided by James Heaton is bright but laid back; feels like the perfect song to have in rotation while driving in your city as the sunsets. The kick drums are crisp and the background vocal samples provide character to the track. Before the bass arrives with the firmness of purpose, the airy synths layered against the light percussion create the perfect space for the trio to deliver on their creative promises. The hook sticks out for us; it’s catchy and has a nice infectious bounce. Last year, Pangeaux released a few singles, and were excited to see what he has in store for this year.

GOOD SEEDS - Ricki Monique

Minneapolis-based musician Ricki Monique dropped her debut EP Good Seeds. On her debut EP, Monique is honest and not vain when it comes to providing details about her upbringing and life experiences. Her words are vivid but poetic. With confidence, well-tuned cadences, and forthright writing ; Ricki Monique displays “what it feels like to have a fuckin dream.”

The production Monique explores her lyricism on are refined nostalgic melodies with goey-like bass textures sprinkled around. It’s easy to cling on and become submerged by the neo-soul heavy-based production that’ll remind you of the Soulquarians’ days. On “RUBY,” Monique tells a story about a woman’s acceptance of her inner growth and the childhood lessons she had to unlearn. The string arrangements under Monique’s voice experimentations bring out the purity in her writing. The cut short guitar riffs embrace the slight textures of Roy Ayers's “Sunshine.”

”Look up, momma said keep your chin up.” At times, throughout the 6-track body of art, Monique is giving herself a pep talk as she continues to embark on her dreams. “CEREAL” featuring MMYYKK is the heart and soul of the EP. The beat switch was smooth and displays her ability to change creative directions with ease. She doesn’t miss a beat on “FTG” and keeps up with the upbeat production.

Before dropping her latest EP, Monique released two singles, “IMMORTAL” being one of them. Ricki Monique is more than a “female rapper;” I truly think she’s going to a beautiful slow-burning career and music that’ll be deemed timeless.

THE GUUDS w/ mynameisntjmack, julzzz, Donnie Killjoy, Monroe Jordan, Haich Ber Na, & J $ENSEI,

mynameisntjmack - “NEWBRASSKNUCKLES”

VA native mynameisntjmack returns with his follow-up single “NEWBRASSKNUCKLES,” a month away from his next project The Lord Of Sounds And Lesser Things that’s slated to drop next May. On his latest single, mynameisntjmack discusses avoiding woman who only sees a dollar sign and the vices he uses to protect his solace. His cadence and pacing make listeners indulge in his words and emotions. Whenever he’s on a track, expect therapeutic metaphors that provide a glimpse of his consciousness. The production he chose to rap on has a pure way of paying homage to Houston and nostalgic LA textures, while still providing a refreshing sound. His woozy-like tonality is distinct from the piano-led production. Earlier this year, mynameisntjmack dropped a song with emerging VA pop-punk artist Tommy Richman and recently joined the Genius team. We’re excited for his project that drops next May!

julzzz - “Pink Plant”

The Canada-based singer recently dropped her latest contemporary jazz single “Pink Plant.” julzzz vocals are soulful and soothing. Her ethereal pacing alongside the unorthodox drum patterns is entrancing. The production provides a dreamy soundscape that still feels groovy. Julzzz’s angelic rasp voice distributes another texture for the production, giving it a full sonic balance. This song feels like it was gently placed together with every element serving a purpose. Last year October, Julzzz released her debut single “Indecisive.” Our ears are glued to what she has planned next.

Donnie KillJoy - “Bed Stuy”

VA artist Donnie Killjoy returns with his latest alternative single “Bed Stuy.” On his latest single, Killjoy embodies free-living and allowing blissful moments to take lead in his relationships. The soft electric piano riffs under Killjoy's heavy reverb vocal layering saturate his minimalist writing style. The hyper punk textures are memorable. His writing is pure and cuts through vigorously. The repetitiveness throughout the song feels like a mantra for letting go of those worries while dating. Early this year, Killjoy released “Cream Soda” and we’re excited to hear what else he has in the works for 2022.

Monroe Jordan - “nykes”

OH-based singer drops his latest offering “nykes” as the hollowness of the drums allows Jordan’s vocals to carry the weight of revelation. Sneaker culture has always been a staple in urban communities and often at times, mistakenly used to define one’s success. On “nykes,” Jordan reflects on his connection to Nikes through the use of imagery, ethereal vocal orchestration, and steadiness. His harmonies are mesmerizing, held loosely against the unhurried guitar strings. The drum arrangements blend well with Jordan’s pacing; allowing those moments of airiness to provide depth to Jordan’s sonic offering. He finds comfort in his Nikes because it provides him the mobility to escape from realism. Jordan released “seasonal depression” alongside two other singles last year and was looking forward to seeing what he has planned this year.

Haich Ber Na - “Now We’re Strangers”

London-based artist Haich Ber Na returns with their latest single “Now We’re Strangers.” This song feels euphoric and translucent in emotion. On their latest sonic offering, the London native expresses their grievances with the illusion of time and the effects it holds on past relationships. Things are not the same and vibing out through acceptance is the only cure. The vocal harmonies are dreamy and the gentle kicks over the rugged guitar riffs are encapsulating. There are so many layers, the production explores various genre essentials with care and forward-thinking. Haich Ber Na does not shy away from experimenting with their voices, which is refreshing and provides another sound element to their unpolished psychedelic sonic exhibit. Last year, Haich Ber Na released From Then ‘til Now, which displayed this wide musical palate and ability to blend electronic and R&B elements. We’re excited to hear what they have planned next.

J $ENSEI - “SLIGHTLY INSANE”

Atlanta GA native J $ENSEI makes his return with his new hyper punk, pop-infused single “SLIGHTLY INSANE.” The beautiful falsettos supported by the hyper punk essential sets a tone for $ENSEI’s creative contribution to the evolving sound of genre-blending. On this song, he expresses his attraction to women who drive him crazy but appreciate them for his muses. The vibrant production aligns with $ENSEI sonic spiraling. Last year, $ENSEI released his debut EP It’s Bc Ur an Aries which had a great balance of pop, Hip-hop, and alternative R&B. Our eyes are glued.

learn 2 swim - Redveil

On his 18th time around the sun, PG county Maryland native Redveil returns with his latest project learn 2 swim. Fully written and produced by the “pg baby” that is soon to become a household name. On learn 2 swim, Redveil is facing maturity and embracing the highs and lows of his new profound success. Compared to his 2021 release Niagara, veil finds a balance between his metaphoric and undeviating delivers.

Veil’s keenness for chopping up samples and layering spacey 808s that’ll have your speakers vibrating plays a huge role in his creative contributions. His voice inflections and tonality stick out unequivocally, displaying his growth as a performer. His voice inflections and tonality stick out unequivocally, displaying his growth as a performer. “mars” demonstrates Redveil’s growth as a rapper and producer; clashing lofi samples and jazz-infused elements that bring forward pioneering synth sounds from the 80s.

On “shoulder” featuring Mekdelawit & Renaissance Mic, Veil raps about his fleeting youth and having to step into adulthood. Veil’s audience expands over all ages because of his fluent ear for soul samples and youthful approach to trap drum arrangements. Sam Truth's vocals on “better” give Veil the space to reflect on triumphs and strength his optimism for the future.

His stanzas are short but jammed with preciseness; leaving no room for error. His growth feels like a slow burn and confidently takes the sonic risk to present his artistry at its purest. Samples, heavy 808s, and alluring synth progressions under a jazz microscope; Redveil is truly a student of music and it’s evident in his creative offerings.

THEGUUDS w/ LUCA, MOZZ!, Shann, KIDZ, Theodor Black, Elly Shane & Manah

LUCA - Altar

NY native LUCA makes his euphoric return with his latest single “Altar.” LUCA continues to welcome listeners into his creative guises with the use of descriptive writing and admiration to transcend punk-esque guitar riffs and puddy-like bass arrangements. On “Altar,” LUCA displays the motions of holding onto love despite feeling unfulfilled in the relationship. The battle of trying to be selfless while denouncing your happiness. This song feels like an alternative ballad. LUCA’s voice strikes the beat with care and direction; shaping the sound movement throughout the song. The song moves at a consistent pace, building up towards the luxurious guitar solo by co-producer Will Catucci. LUCA is wearing his heart on his sleeve, creating a safe place to display his vulnerability with grace. This serves as a follow-up to his November release “Serotonin.” We’re excited about what LUCA has in store for the rest of the year.

MOZZ! - “call me”

New Jersey singer-songwriter MOZZ! makes her debut with “call me.” MOZZ!’s voice is soothing and submerges the delicate textures provided by the production. The slow-building drum kicks are infectious. MOZZ!’s enticing harmonies paces well alongside the dreamy chords. On ”call me,” MOZZ! sings about wanting her love interest to put more effort into their relationship. MOZZ! tonality and pacing over the subdued dreamy production delivery resemble an alt approach to blues with modern soul components. The balance between traditional piano arrangement and synth chords will send listeners into a trance of peace and comfort. MOZZ! is floating on her debut single and we’re excited to see what she floats on next.

KIDZ, Quincy X & SMYTH - “4 Da KIDZ”

Collective KIDZ recently dropped their debut EP 4 Da KIDZ, which serves as a solid four-track body of work that highlights each member's creative contributions. One of the standout tracks from their last sonic offering is “4 Da KIDZ.” The chop and screw feel nostalgic, embracing the essence of Houston with a refreshing approach. The lyrical exchanges between Quincy X and SMYTH are delivered with aplomb over the heavy bounce production. The glitchy hi-hats with the sharp snare display no blemish and the saxophone section lingering in the background are alluring. The collective pays homage to Kendrick Lamar with their “you ain't gotta lie to kick it” bridge. Quincy X and SMYTH are a match made in heaven when it comes to both holding their own on tracks and encouraging each other’s pen. At the top of this year, the trio released singles leading up to their collaborative effort.

Manah- “Time and Space”

Singer-songwriter Manah returns with her latest single “Time and Space.” Manah’s vocal arrangements are dreamy and set as equilibrium for the heavy 808s and sticky snares that holds the core of the production.

On “Time and Space,” Manah reflects on the value of love from previous lovers. She’s coming to terms with the loss of love and finds comfort in the time and space it’s providing her. The deeper vocals underneath Manah’s voice add color and expression to Manah’s therapeutic writing style. This single serves as a follow-up to her 2020 release “Numb.” We’re excited to see what else Manah has planned for the year.

Theodor Black - “TOP DOWN”

South London artist Theodor Black returns with his latest “TOP DOWN.” Black’s cadence and versatile delivery exude confidence as he expresses the highs and lows of living up to your best potential. Black is not afraid to go against the grain by playing with his vocals, adding a deeper texture to his lyricism. The drill elements in the second portion of the beat demonstrate Black’s ability to find balance with UK sounds and nostalgic synths; cultivating a refreshing sonic offering. At the beginning of 2022, Black released his single “LOOP,” and is planning to drop his EP PARADISE FM next month.

Shann - “Same Page”

Virginia native Shann makes her debut with “Same Page,” produced by FULMETALPARKA. Shann’s vocals are placed gently over the bright production as she expresses her desire for her significant other to be on the same page as her. The production blur modern and traditional R&B elements with elegance. The song is short, which feels intentional; leaving listeners wanting more from the Virginia singer. “Same Page” serves as a heartfelt interlude to Shann’s unapologetic predilection to be in sync with her significant other. We’re excited to hear what else she had planned for the future.

Elly Shane - “Sense of Gravity”

LA-based Singer-songwriter and vocal producer Elly Shane makes her latest sonic offering with “Sense of Gravity.” The funkadelic aspects and thumping drums are evocative and the violins are gorgeous. There are so many instrument elements throughout the song, it's constantly moving at a comfortable pace, lead by Shane’s angelic vocal arrangements. The hook is infectious and catchy over the ethereal production by Ryan Baer. On her latest single, Shane sings about wanting her crush to move on from their current relationship and be with her instead. Taking honor in being that comfort space for her beloved crush, despite the limitations of their partnership. Shane’s voice is smooth and samite; finding a nice balance between 90’s r&b and pop-soul. Shane is planning to drop her debut EP Tripwire on April 22nd. We’re excited for the new music!

Truth Be Told - grouptherapy.

LA-based collective grouptherapy. are back with this latest project Truth Be Told. Their growth as musicians continues to expand and demonstrate their unique approach toward genre-less music. Within 22-minutes, Jadagrace, SWIM, and TJOnline find new ways to complement each other while maintaining their own creative merits on this latest sonic offering.

The vibrant synth chords on “Tangerine” are mesmerizing and the melodies are infectious. “Mistake” feels like the group at its purest and “Ah Choo” highlights each member's charisma. The switch up on “Truth Be Told” was a pleasant surprise and the dense 808s were utopian.

While the tracks where all the members are exchanging their creative realms are filled with eccentric moments, the solo songs are the ones that stand out the most for us. On “Pink Papers,” Jadagrace holds no punches; jumping in and out of different rhyme schemes, making it difficult for listeners to sleep on her delivery and pen. “Risky” with SWIM shifts gears and provides a refreshed Cool Kids-ish sound. The drums and SWIM’s compelling cadence makes perfect matrimony. He displays his confidence as a lyricist and doesn’t become a victim of the vibrant production.

The production by Dee Lilly is the heart and soul of this sonic offering. His influences may be easy to point out but he finds a way to make the production personable and forward-thinking.

grouptherapy.’s latest body of work displays their growth as musicians and their ability to transcend traditional soundscapes.

THEGUUDS w/ Bairi, Dachelle, Sectiontoo & Ricky Mapes

Dachelle - “Give Up”

NY Singer-songwriter Dachelle returns with her latest single “Give Up.” She’s done holding onto baggage that serves no purpose to her well-being. Dachelle’s writing style has never failed to impress. She’s not afraid to make the beat work for her and she finds melodies that feel familiar, but refreshing. Her background harmonies are placed with detail and merge with the lead vocals with care. On this single, Dachelle’s voice is tranquil as she embraces her inner peace stemming from joyously reflecting on those tough times shared with previous lovers. Last year, Dachelle released “Purple Haze” right before the holidays, and our ears are glued to hear what else she has planned for this year.

Bairi - “Spring Cleaning”

New Jersey native Bairi returns with her latest single “Spring Cleaning,” the perfect soundtrack to sage out the negative energy right before springtime. Bairi is no longer holding her tongue and is confidently stepping into the light she deems for herself. On this track, Bairi’s cadence builds momentum as the soothing background vocals make her delivery digestible for the naysayers. The production by Park and 48thST shines a light that helps Bairi find the rhythm with a natural bounce, but a reviving approach for modern R&B. Last year, she released two singles “Free” and “Paraíso”; and recently was featured on Deante’ Hitchcock's new album. We’re excited to see what she has planned for the rest of the year!

Sectiontoo - “Come See Me Tonight”

Queens native Sectiontoo returns with his latest single “Come See Me Tonight” alongside long-time collaborator identite crisis. There’s something unorthodox but nostalgic about this song that’ll make you call an old crush and attempt to go down memory lane despite the heartache. Sectiontoo takes heed to incorporate traditional R&B elements with a modern approach. The way his vocals transform throughout the song is captivating. Section’s pen is heartfelt and driven by muses that once brought comfort. The cloudy guitar solo at the end is one of the many production highlights of the song. The song was released through his label Viper Records. We’re looking forward to seeing what else he has planned for the year.

Ricky Mapes - “BIG MAPES”

Bronx rapper Ricky Mapes returns with his latest single “BIG MAPLES'' produced by Cuffedgod. Mapes’ pacing and tonality fits perfectly over the sample-based track. His storytelling is descriptive and allows listeners to have a vivid image of the picture his words are painting. On this song, Mapes juggles his thought process and has epiphanies on different situations that could’ve derailed his divine path. Mapes's unique perspective and complex word arrangements show off  his immense talent as an artist. Earlier this year, he released three singles, “SPEAKEASY,” “GINGERBREAD,” and “FENTY;” all being perfect examples of his creative ability and growth as an emerging artist.

NO SERVICE - Burner Phone

Chicago-based duo Burner Phone makes their debut with “no service.” The duo, comprised of producer Issac and rapper Elijah, pull out the best from one another creatively and it shows on their debut offering. The sample choices by Issac are enriched by the rhyme schemes performed by Elijah.

“CONFESSIONS” is one of the stand-out tracks from the project. Issac’s drums hit to the core, providing a space for Elijah to unpack his consciousness poetically. “THE REAL ME '' feels like a victory lap, the blending and vocal experimentation set the scene for success. If you’re into slums sounds and samples only found at garage sales, this is the tape for you! These two crafted an art piece based on their appreciation of finding beauty in obscurity.

EGO<CONFIDENCE - Muchi

Alabama-based artist Muchi drops his fully produced debut EP EGO<CONFIDENCE. The production is extremely personal and aligns and compliments Muchi's delivery. It’s hard to put a finger on the core inspiration of the project since he bounces around different sounds and aesthetics while staying in a precise realm. “EGO’S VILLAIN” truly displays Muchi’s unique artistry and ability to tamper with melodies, using his voice as an instrument.

The last track “PATHETIC” is the highlight of the EP. The string arrangements at the end are enchanting and the drums that play hide and seek throughout the song surge alongside Muchi’s self-reliant cadence. The production has a nice balance between whimsical and abrasive. You can hear influences from JPEGMAFIA and Tyler The Creator that calmly seep through with admiration. Before his EP release, Muchi has released many singles that emphasize his creative approach and detailing. Looking forward to seeing what else he has planned for the future!

To a Dark Boy - Wakai

Baton Rouge, Louisiana native Wakai returns with his latest project To a Dark Boy. Just shy of 33-minutes, Wakai demonstrates a picturesque lyricism, admiration for camouflage soul samples, and an earnest connection with jazz. The project is intentionally subdued. The intricate storytelling by Wakai provides a deeper understanding of his upbringing and the self-proclaimed triumphs it took for him to get where he’s at today. At times, his cadences feel like a bedtime story or even a personal spoken-word piece that took years of refinement before being pressed into the audience's ears. He has a way of using his voice as a sonic component to highlight the low frequencies that linger throughout the project.

Before the big release, he dropped two singles, “Starter Jacket” with Emmavie and “When There Was No Sun” with Mick Jenkins, which seamlessly shows his love for working with artists that compliment his sound and share the same passion for detail

His writing style is unfeigned. ”Evening Sun” embodies heartfelt confusion. Wakai describes the challenge of deciphering love vs lust; real vs fantasy. The sample vocal arrangements mesh well with the content of the song, which shows off Wakai’s seasoned ear for production and use of vocal instrumentation to assist with his storytelling.

The smothered jazz essentials and Wakai’s immersive contemporary delivery feels free form. At times, this album feels like a lo-fi version of To Pimp a Butterfly. Perfect storytelling with introspective rhyme schemes that create its own pockets. Even the production tells a story and that’s thanks to the power of samples. The album feels reminiscent of the past through the crackling sample textures.

“Smile 4 Us” is our standout track from the body of work. I’m a huge fan of the reimagined “Diana in the Autumn Wind '' sample that has been infamously used by Slum Village and other artists such as Chance the Rapper. But for this track, it’s chopped up in a refreshing way that I doubt the naked ear could pick up on it. Your ear must be seasoned, which is evident in the production Wakai decides to rap on. The soothing vocals by Kay Lashea set the tone for Wakai to get into his bag.

The use of free-form writing styles, niche soul samples, and jazz-infused components portrays a deconstructed symphony for Wakai’s collection of short stories. Production credits are held by wavworld, Kirti Pandey, Noa Jamir, Nocvhll, Versus Beats, and Wakai himself. If you’re into enriched storytelling, muffled 808s over-saturated samples, and impressive rhyme schemes, give “To a Dark Boy” a listen. Last year, Wakai released “Away Game, Vol. 2,” and this new project is a great addition to his catalog.

Easygrowing - Kinrose

The DMV sound is always evolving but stays true to its core. 24-year-old PG County native Kinrose delivers his debut EP Easygrowing, providing a much needed soundtrack as we enter into springtime. You feel a sense of blossoming as Kinrose paints a vivid depiction of growth and acceptance through his passionate melodies and reflection. 

Kinrose’s voice inflections sharpen his storytelling skills. Even with his laid back approach, listeners are given the chance to enter into his safe space of self reflection. On “aloof on a roof,” Kinrose reflects on being a black college student and learning how to maneuver in a mostly white environment… finding the balance between having fun, while not becoming a victim to those moments of bliss. His crooning on “aloof on a roof” is soothing, but telling within itself. You can feel his frustrations toward always having to be on his p’s and q’s, while his peers are given the grace to be easy going due to the benefits of classism. 

The 5-track EP centers around growth and exhibits Kinrose’s coolheadeedness. He finds melodies that compliment his pacing and messaging. On “cloudy air” Kinrose expresses his reasons for isolation - he’s focused on obtaining his idea of success. The project is smothered in hope and optimism, despite the challenges he has to overcome.  He understands he has to find peace and grace, and is willing to do the work. 

THEGUUDS w/ Ogi, KADOLEAF, Kinrose, Sækyi, Tommy Richman, mamadou, T H R O N E, Kingjp , Chanel Loren, and Pote Baby

Ogi- “I Got It”

LA-based singer/ songwriter Ogi recently dropped her debut sonic offering “I Got It.” This song exudes confidence .. her delivery and cadence blend well with the production and lush background vocal arrangements. The lyrics are delivered with allocution and heed. “I Got It” feels like earth tone-ish with a soft lavender. While this is her debut single, it truly feels like Ogi is growing into her own and fully aware of the presence she wants to make with her music. We’re looking forward to what’s to come next!

Mamadou. - “Tread Slowly.”

New York-based poet/songwriter returns with his latest spiritual though-tugging single “Tread Slowly.” Mamadou.’s choice of words is detailed and allows listeners to be graced by his solicitude. The song starts so calmly and transitions into an even more precise fast pattern cadence that emphasizes the message of the song. “Tread Slowly.” embodies those internal challenges of one’s pace of life that we all battle with. Last year, Mamadou. released a few singles and the year before he released his debut project To Stitch a Rose.

Pote Baby - “Set It Up”

GA-based rapper Pote Baby kicks off the year with his new single “Set It Up.” On this single, Pote is manifesting his life and embracing the challenges it may take to get there. His flow and subtle adlibs throughout the track; develop a formidable atmosphere of hope and effort. His use of sonics and cadences opens the field for him to lay out his blueprint and make his dreams into reality. Last year, he released two projects Pote Day and Pote Baby, which helped solidify Pote’s creative approach and curate a refreshing sound. With his new Soundcloud partnership, we’re excited to see what’s to come next!

Chanel Loren - “Playlist”

South East London native Chanel Loren makes her single debut with “Playlist.” Loren’s voice is velvety over the soothing and glitchy production. There’s something distinct but evocative that’s translated through Loren’s vocal arrangements that’ll induce listeners into waking down memory lane. Loren’s approach to blending garage with R&B music is refreshing and we’re looking forward to how she’ll transcend the genre-bending era.

KADOLEAF - “222”

VA native KADOLEAF recently dropped his latest offering “222.” The tempo of this song meshes well with KADOLEAF’s energized cadences and delineated harmonies. He finds the perfect balance between alternative, pop, and R&B as he sings about the word love losing its meaning. Earlier this year, KADOLEAF dropped a two-pack single and is expected to drop some more singles as 2022 plays out.

Sækyi , Tommy Richman & Rooftop Collective - “Taking Me Back For The Night”

VA natives Sækyi & Tommy Richman join forces on their latest genre-bending collaborative single “Taking Me Back For The Night.” This song sets the perfect soundtrack as the seasons begin to transition from winter to spring. The production meshes well with their cadences and impressionistic execution. Tommy’s ululating vocal arrangements create a guided path for listeners to become submerged by Sækyi astute but artful delivery. The choice of words used by both artist are precise and descriptive in feeling. In addition, the track was produced by Tommy Richman. Last year, Sækyi released his debut EP Sunset Demo’s and is slated to drop his follow-up project sometime this year. Since the new year kicked off, Richman has dropped a couple of singles and was expecting to hear even more music from him as the year plays out.

Kinrose - “profile”

DMV-based artist Kinrose returns with his latest single “profile.” Kinrose’s tonality and pacing set the tone and play as an additional instrument to the production by Alanfor. This song has a consistent bounce and is smothered in witty lines and abstractive references. Last year, Kinrose released Chopped, a short EP that serves as an appetizer to his full course. His follow-up is slated to drop in a couple of weeks and we’re excited about some new music.

T H R O N E & Kingjp - “V for Vanity”

North Carolina-based duo T H R O N E recently dropped their debut project Lionfish, a refreshing approach to neo-jazz and poetic Melodie’s that strikes to the core. This project feels free form and sincere. “V for Vanity” being one of the standout tracks truly tells a story of hope and the revelation of disillusion. Expecting something to be better than what’s reality and finding the grace within it.

There’s something nostalgic about this track; It could be YVHIKV’s infectious vocal contributions or the spoken word delivery by Hayatheus. Regardless, their words paint a picture so vividly. The project features Fly Anakin, Suave Dubois, Snick Foley, Domain Brown, and Jules filmhouse. Find some time and give this project a thorough listen!

A Conversation w/ lamuse

Last month, New York rapper lamuse dropped her latest project Automatic Shutdown as a sonic depiction of growing pains and acceptance. Throughout this nine-track body of work, lamuse reflects on past relationships and previous thought processes which made her surrounded emotions to protect her peace. Every track feels like a personal journal entry and lamuse does not shy away from being vulnerable.

On “Take Less,” she raps about wishing the woman of her past didn’t put up with her childish ways. Lamuse’s choice of words is precise and adds to the story. The emotion that lies beneath “I’m Crying” comes second to none; it feels like a harmonized spoken word piece.

“Reddit” featuring Dachelle is one of the many stand-out tracks on the project. Lamuse’s cadence meshed with Dachelle’s gentle vocal arrangements. Rounding off at 20 minutes, Automatic Shutdown would make listeners understand yesterday is not tomorrow and it takes effort for true peace. 

Our conversation, lightly edited for content and clarity, follows below.

All right, so automatic shutdown. What does that mean to you?

Automatic shutdown is kind of like my natural state. When I feel like people are trying to make an emotional connection with me, I automatically shut down. Like, I've had a long track record of just being detached from people on an emotional level. So automatic shut down is that defense mechanism that we enact when we feel like danger is near.

How have those feelings translated into your music for this project?

On this project, it was the opposite; I think I was reflecting on those emotions of detached. I’m at a point in life where I'm beyond shutting down; It’s not normal for me to shut down automatically and doing so blocks off connections that other people may want to build with me. I believe those feelings translated through reflection…reflection on that chapter in my life. 

Going off of reflection, what was the inspiration for “Take Less”?

When thinking back on some of the women I’ve dealt with in my past, I feel like they gave me a lot and also feel like, “damn bitch, how stupid can you be?” (chuckles). I felt like the woman of my past would try to give a lot and force something that's not there. At times, they would force monogamy or exclusivity onto me knowing that I was not ready for that and I would tell them. 

Have those reflections in your music ever come back to bite you?

Honestly, back then, no matter the content I was speaking on, the girls would still be happy and excited that its a song about them. (Chuckles) and at that time, I was doggin’ them on tracks. Now, I’m older and in a committed relationship, my music is no longer dedicated to one woman, it’s a collection of it all. I feel like it’s pretty great to be someone’s muse.

How did you approach your music differently this time around?

I think on previous projects, I focused a little bit too much on the craft. Make sure the words and the rhymes are all going together; that the writing is beautiful. But this time around, I also made sure that I stayed true to the story.  Like on “I’m Crying,” every line is factual. 

All of the music was created at my home studio, which was also different because I usually work in collaborative environments. It was more solo, which I felt was necessary because this project was more personal and emotionally felt.  Every song and every beat aligned with those experiences I’m reflecting on Automatic Shutdown. 

Can you describe the emotions behind “I'm Great”?

 I was having a really shitty day. Okay. Was hysterically crying and honestly felt a little suicidal.  Didn't have a therapist at that time.  It came to a point where I called my mom because I was scared that I was really going to hurt myself. After that day, my mom called me every day. A week after that, we found a therapist for me. And that kind of, like, motivated me to seek medical help for whatever's going on in here. Funny story, my therapist broke up with me a few weeks ago, but that’s a whole nother story. 

 I think it's cool that you ended the tape off with “I'm Great,” because I feel like throughout the project, you're talking about those emotions and trying to find balance within it and at the end of it all, you do. Was that transition of emotions and songs intentional?

That was 100% intentional. I felt everything that came before “I’m Great” was very covert and very much emotionless. But then you have those songs like “I’m Crying” where I’m tiptoeing around my awareness that, yeah, I could be an awful person sometimes, I see it. Then “Comfort” is like sadness but then “I’m Great” ties everything together… embracing those emotions and now that I’ve had those experiences I could attach myself emotionally with someone. 

“Crowded Lottery Ticket” being a bit more upbeat than the other tracks, would you consider that a distraction for your audience while you’re dancing through the pain?

Honestly, I could see that... Like, imagine being at a party and everyone is dancing, having a good time but still carrying their own baggage. No one knows what you’re truly going through and believes everything is well based on the perception you present. But on the other side, I saw it as, a woman in my past would try to change me and aye, that’s like winning a lottery ticket (laughs.)

How was it working on “Retro 3” with yeahCaleb?

Working on that song was fun, it was from one of the sessions with my collective thebaremax. We ended up not putting it on our last project, SMUDGE and I felt it was such a good track and connected well with my story for automatic shutdown.

What are your favorite Jordans? 

Gotta be the ones, highs, and lows. 

What's next?

Singles and hopefully another thebaremax album. 

What is one thing you want your audience to get out of listening to this project?

That I'm not an asshole but I am an asshole. 

What were the last three albums you listened to?

The Essentials of Michael Jackson 

Coloring Book by Chance the Rapper

Sorry 4 The Wait by Lil Wayne  

THEGUUDS w/ mynameisntjmack, Tommy Richman, Roann, Dana McCoy, Diz & Xav the Ripper

mynameisntjmack & Tommy Richman - “BUNKER/PREROLL”

Virginia natives mynameisntjmack & Tommy Richman join forces on their latest single “BUNKER/PREROLL.” This collaboration feels like two worlds colliding and realizing their abstract creative approach makes perfect matrimony. This song narrates those emotions of feeling lonely, despite being in a room full of people. On this track, mynameisntjmack enhances his delivery and hones in on his sharp expressions of life through witty imagery. His tonality illustrates an image of bliss towards his discomforts. Richman provides the right amount of energy to continue going against the grain and embracing those fears of feeling like an outcast. The hook texture is mesmerizing and the Bay Area-ish production is quintessential. The track was produced by long-time collaborator John Wehmeyer & Myles Sweeney. Last year, both mynameisntjmack & Tommy Richman released a bunch of singles and hopefully building up momentum for their next project. Keep your eyes and ears pierced!

Roann & Jordan Hawkins - “Heaven on Earth”

San Diego-based artist ROANN recently dropped her latest heartfelt single “Heaven on Earth” alongside Jordan Hawkins. Roann’s voice is nostalgic, nurturing, and sincere. On this song, Roann gracefully sings about loss and the bittersweet journey that comes along with it. The guitar solo at the end of the song speakers levels and captures the exact emotion Roann delivered. Two years ago, Roann released a couple of singles and we’re patiently waiting for what else is planned for this year.

Dana McCoy- “Garage Sale”

Maryland native singer-songwriter Dana McCoy returns with her latest single “Garage Sale.” Her voice is gentle ignites tranquility despite the difficult transition of moving on from someone you once loved. It’s not easy to end things with someone you once loved but, doing so may be better than pretending things are good. On this track, McCoy does not shy away from showing her vulnerability and allows her voice to guide listeners towards acceptance. Last year, McCoy released two singles “Night After Night” and “Is It Okay.” Sometime this year, she’s expected to drop her debut EP.

Diz- “Fair Weather”

Boston native Diz kicks off the year with his latest single “Fair Weather” produced by C! and OJC. Diz delivery hits to the core and the use of melodic repetition seeps through gracefully. The production provides the muse to Diz's conscious unpacking. As he raps about needing space, he welcomes listeners into his perspective towards reality and how it’s weighing on him despite his ability to smile through the pain. The song finds a sincere balance between lo-fi and slum hip hop. Last year, Diz released a project called ALL IN DUE TIME and the year before that Black Water. Our fingers are crossed for a 2022 project!

Xav the Ripper - “No Cry”

Chicago-based rapper & producer Xav the Ripper dropped his latest single “No Cry.”

With the use of underground drum patterns and precise word choice, Xav explains his current state of mind and triumphs of navigating through the music industry. Xav describes the track as being a “beacon of hope to those who feel unheard.” The sample-based track blends well with Xav’s bright inflections and delivery. Last year August, he dropped a project titled Once It’s Over and this year he’s getting his footing down for what’s to come next.