FEW GUUD THOUGHTS w/ Sækyi - Interview + Review
Woodbridge, VA artist Sækyi dropped his latest sonic offering; Angels Don’t Call Me. On his latest project, Sækyi displays recovering from heartbreak and understanding the true meaning of love through the lenses of acceptance.
R&B is a genre that’ll never die. It’ll only reinvent itself and create new sounds that ultimately still show admiration towards the ever-evolving genre. Woodbridge, VA artist Sækyi dropped his latest sonic offering; Angels Don’t Call Me. On his latest project, Sækyi displays recovering from heartbreak and understanding the true meaning of love through the lenses of acceptance.
Angels Don’t Call Me evokes a spiritual cleanse of worries and understanding. Each track feels like a transitional phase, as Sæyki bares the burden of desolation. “The Forgotten” feels like Marvin Gaye’s, Here, My Dear. Self-awareness bleeds through the track. The percussion supported by the angelic background vocals captures the undoubting essence of rhythm and blues. “Without You” feels like a victory lap before the tragedy, like a Shakespearean experience. Despite it being a cry for help or consolement, Sækyi gains an understanding that the superficial aspects of temptation were not worth the loss of his lover. Songs like “I’m Yours” and “I Will Wait For You” signify Sækyi giving into that inner peace he’s been searching for throughout the project.
The lush chords and Disneyesque string arrangements are the glue to this project. The production provided by Brandon Jhon presents a wide spectrum of traditional and experimental R&B elements that shape a safe space for Sæyki to be vulnerable. The string progressions are infectious and transcending. The start of each track sparks a pivotal moment in Sækyi’s healing journey. The writing is heartfelt and purposeful, not wasting a second on fully divulging his perspective on love.
The nine-track body of work by Sækyi and executive producer Brandon Jhon is honest and confidently admires those sonic sounds that came before them. Through admiration, acknowledgment, and acceptance, Sækyi tackles the results of love when you show appreciation.
Describe your creative process.
“I'm not dictated by genre. Going into every tape, I know what the main premise is gonna be… the overarching story. I already have the next ten years planned out. I got my next EP already planned. I already got the first album planned. I just don't know what Sonic Space I want it to sit or live in. And I think that's, that's where my creative process really starts to kick in—going into the studio and trying to figure out how I want my message to come across—having Brandon and Eric around really set the sonic foundations for this project.”
So did you know you were making a project or did it just happen naturally?
“The first few songs made for the project was “The Forgotten” and “Angel’s Don’t Call Me.” At that moment, I wasn't even trying to make a tape; I was just trying to make hits. Brandon and I had a session in New York, and we were just making the best songs we can do. That session was viable because after a couple of months of living with the tracks and tweaking them, we realized next was doing a tape.”
You keep mentioning Brandon and Eric; who are they, and can you describe their involvement in the making of the project?
“So Brandon is the executive producer of the tape. Eric, that's the big homie; he co-wrote “I Still Love You” and was in damn near every session for the project. There were a bunch of sessions where we didn't make any music, and it was just kind of like us talking and figuring out the tape. (Chuckles) That’s how Brandon figured out that I don't listen to R&B like that…I don’t like R&B music like that.”
I don’t believe you; you love R&B… this project is classic R&B. Those melodies are not from the naked ear
“According to him, the reason I make R&B music is due to Love Below by Andre 3000. I had to go back and live with that project to understand what he meant. There were many moments throughout the project where I wanted Eric to sing the choruses cause he’s a great singer, a real R&B artist. But Brandon and Eric would say, “Nah, you sing it.” They pushed me a lot, and I can’t thank them enough. They gave me the space to be vulnerable.”
How did you and Brandon link?
“So Jesse Boone made a song with Brandon that caught my attention. I was looking for producers to work with and outreach a bit more other than my state. Brandon and I kept in touch and would work on music occasionally.
We didn't really make anything viable back then, but it was just kind of like, you know, laying the groundwork of like, Okay, like this kid actually makes like good music, and he's serious!”
Where are you from?
“I’m from Woodbridge, Virginia”
How has VA influenced your music?
“When I was coming up, there was a whole music scene going on in Woodbridge. It's crazy because I was just with Tommy and Spady the other day, and we were watching old videos of, like the, you know, like, 2015, 2014 rap scene in Woodbridge, Virginia. And they were just mostly, you know, just freestyling, you know, but they didn't know what they were doing was influencing me. It felt like rap can happen.”
Would you consider yourself religious?
“Maybe not religious, but super spiritual”
What’s your connection to angels?
“I grew up heavy in church, and the influences of church bleed through my music heavily, especially in the chord progressions and even my content. My song, “Free Fall,” is about an angel trying to force their way into heaven by climbing, but God says, “Nah, you have to fly.”
What’s the meaning of the projects title, Angels Don’t Call Me
“It summarizes the entire tape and the story behind my experiences. When you’re a man, and you realize the woman of your life is gone. It makes you understand what she was and meant to you. You begin to feel the absence of that angel who no longer answers your calls.”
This project feels like a heartfelt letter to someone who has your heart already. Is that intentional?
“Hundred percent! That's probably why I think there are so many things about this tape that people will get after they spend some time really listening to it, you know? I wish people would go back and listen to Sunset demos before experiencing this new project because Sunset demos was like a prelude.”
What’s one thing you did differently on your Angels Don’t Call Me compared to Sunset Demos?
“I did everything differently (chuckles,) one being there was no Youtube beats, and no song has any samples.
Don’t get me wrong, there’s nothing's wrong with YouTube beats. My biggest song was on a YouTube beat. But with this tape, I injected myself into the production process.”
How has working with one producer on this project elevated your music?
“This tape doesn’t exist with Brandon, and It was truly 50/50 on this. In 2021, before we even started working on the tape, he called me, and he goes “you need to start working on your choruses.” At first, I was like, “I think my choruses are great,” but I sat on it for a few days, and he was right. Most of my songs were just strong verses.”
“I'm grateful for Brandon because I have crazy ideas sometimes, and he'll let me run with them and allow the excess to fall off naturally. It’s the same for me with him as well. They’ll be moments when he’s working on a beat, and I’ll say, “I’m not feeling that,” and he’ll go, “I hear you but let me finish out the idea.” This helped me understand producers are artists too.”
It seems you’re talking from a place of understanding as the project progresses.
“I’m a person that grabs ideas from my surroundings a lot. I think this was the first time I made a tape where I was speaking through my own emotions and experiences. Like “Without You,” I'm pulling from specific situations I've been in.”
“Without You” is one of my favorite songs, describe the creative process for me.
“With this song, we broke it down and rebuilt it. At first, this song had a lot of strings and was very Disney-like, which I liked, but I couldn’t find something to write to it. Then we ended up stripping the beat down to the drums, and Brandon started to bring the subs in, and it all came together perfectly. We even swapped out the program strings and brought in a real strings player to have that swing to it.”
“I came from pressure” - what are some of those pressures you’re dealing with?
“The pressures of being an independent artist, you know, the lack of monetary help. I’m doing a majority of this by myself. Everything you see, I had a hand in it. But also, just life shit, like there was a time when I was Ubering all the time as my main income. 12 hours a day in my car just to make the bare minimum. Those pressures are hard. But it’s all about the diamond in a rough idea; it takes pressure to shine.”
What was the hardest song to write?
I’m not gonna lie. All of these songs were fairly easy to write. Every song was about one session; we weren’t dragging it. The most challenging song to get finished was “I’m Yours.” It took time to get the feature for the song, but that process definitely taught me patience. God's time is the best. Like it is not your time. This tape helped me learn that.
How would you describe your music in two words?
Shit’s Hard
What would you like your audience to take away from your music?
Growth is something we shouldn’t be afraid of.
Last three albums?
Ari Lennox - age/sex/location
Al Doms - Prescribed Overdose
Beyonce - Renniassce
THEGUUDS w/ Sedona, yeahCALEB, Mai Anna & Mati
Sedona - “NOT OUR TIME”
Bay-area artist Sedona returns with her latest single, “NOT OUR TIME.” On her latest sonic offering, Sedona explores the challenges of indecisiveness in falling in love. Her airy, filled harmonies and purposeful writing separate her music from the popular norm. Sedona realizes that holding onto a relationship that might’ve run its course is better to let go while the love and respect is still there. The abstract production serves as an open space for Sedona to experiment with unique melodies that captivate listeners. Sedona’s vocal layering meshed against her harmonies are entrancing. This single serves as an introduction for her upcoming November EP release, WHEN THE BODY BREAKS, co-executive, produced by tookhozy. In 2019, Sedona dropped her debut project HERE, and followed up with her self-produced project, FISHBOWL.
yeahCALEB - “SHARKWEEK.”
New York artist yeahCALEB recently dropped his latest single, “SHARKWEEK.” On his latest track, yeahCALEB is drawing a line between himself and those trying to detour his road to success. While embracing his new reality, the emerging emcee reflects on his past with understanding and an explanation for why he had to “switch lanes.” His cadence and writing feel therapeutic alongside the upbeat production. His delivery is sharp and filled with witty lines that describe his surroundings and current mentality to preserve through the adversaries. Last year in August, yeahCALEB dropped his solo project, Vermont.; Which displayed his artistry as a solo act with tracks like “Smile” and “Pressure.” In that same year, he dropped his second studio album SMUDGE, alongside his collective thebaremax. We’re excited to hear more music!
Mai Anna - “Text Me”
Queens, NY, artist Mani Anna recently dropped her latest single, “Text Me.” On her latest offering, Anna reflects on young love and the blissful moments of courtship. The melody feels like an interpolation of Lorde’s “Royal,” but with a more refined approach. Anna’s vocal arrangements are indulging and refreshing. The production provided by close collaborator Solomon Fox truly sets the tone for Anna’s charming delivery. Currently, Mani Anna is working on her debut EP, and we’re excited to hear more music for the rising artist.
Mati - “Pressure”
Minneapolis artist Mati recently dropped his latest single, “Pressure,” which is a follow-up to his July release “Please Don’t Tempt Me.” Matt has a comforting balance of experimental and traditional R&B. On his latest single, Mati embraces bliss and allows himself a second time at happiness, despite the paranoia of the happy moment not lasting for long. The melodies and words he uses to shape his perspective without error. The gentle string progression throughout the song represents Mati’s cautionary mindset sonically. Mati describes the mesmerizing hook as “the start of something happy after allowing yourself to endure the pressures that come with life.” The chopped and screwed outro of the song displays his admiration towards Houston’s soundscape and its influences on modern R&B. The Minneapolis rising artist is making his mark on the evolving R&B sound.
Anomalies EP - Shaqdi
Last July, London-based artist Shaqdi dropped her latest sonic offering, Anomalies EP. The 6-track body of work carries a great selection of beats and lyrics that touches the soul.
Written by: muse
Last July, London-based artist Shaqdi dropped her latest sonic offering, Anomalies EP. The 6-track body of work carries a great selection of beats and lyrics that touches the soul. Her tone is clear and unique throughout the EP and brings out the beautiful sonics of the project. Shy of 20 minutes, this project influence listeners to dance, even if they lack the skills.
“Bad Habits” starts this project with a bang; the choice to personify indecisiveness was crafted gracefully. The way she maneuvered through different topics displays her lyrical ability. The Syd influences bleed through “Telepathy” with admiration, and the feature from Blake Anthony was stellar. Both artists' vocals melded together perfectly and share one of the many standout tracks from the project.
Shaqdi’s delivery on “Deja Vú” was poetic and a pivotal element for the production to take her lyrics to another dimension. “Boogie Woogie” is reminiscent of an era that feels like it would never come back; very few artists are making music like this. It reminded me of the notable Michael Jackson and the funky Kyle Dion. The layering on this track is exquisite to the ears and the soul. “Happy As I Am” is a mix of soulful vibes and dashes of straight bars.
THEGUUDS w/ Gabby Parafina, Roann, Kei & Lucas
Gabby Parafina - “Ur boyfriend”
Philippines-based Artist Gabby Parafina dropped his debut project, therapy, in August. This body of work consists of many flawless tracks, but one that stands out the most will “Ur boyfriend.” On his latest single, Parafina is laying his heart out for his love interest. He’s tired of playing games and yearns for a deeper connection. The production embodies Neo-soul with a mixture of modern chord progressions. The vocal textures Parafina uses to get his message across are enthralling. The writing is precise and purposeful, not wasting any space. Gabby Parafina is redirecting lo-fi R&B, and we’re excited to hear what else he has planned.
Roann & RL - “Love Doesn’t Live Here”
San Diego-based artist Roann never fails to amaze and continues to push R&B forward with her latest single, “Love Doesn’t Live Here,” featuring RL. On her latest single, Roann is ready to move on and is coming to terms with accepting her new perspective. She’s reflecting on the changes in the relationship that ultimately altered her feelings and believes the signs of a foreseen absence were clear. While she is being honest about her feelings, there’s a lack of ownership in her role, that’s kindly disgusted as miscommunication. RL provides a sense of balance and sympathy, but it’s too late. Roann flexes her vocals throughout the song, proving her skills as a songstress. It’s impossible not to be in awe by Roann’s harmonies, which bring balance to the submerging bass progressions in the background. Earlier this year, Roann dropped her single “Heaven On Earth,” We’re excited to hear what else she has planned for the future.
Kei - berserk
Boston, MA, artist Kei recently dropped her latest energetic single, “berserk.” Kei exudes confidence and steamrolls through the nostalgic production with witty lines and tongue-in-cheek rhyme schemes that highlight her character as an artist. Kei's verse is refreshing and energetic. The production feels Neptune-ish but in a respectful manner. Last May, Kei dropped her second EP, Terrible Two’s, and the year before, she dropped her debut EP, Baby Steps. We’re excited to see what else she has planned for the year!
Lucas - Zizou
Florida-based artist Lucas recently dropped his latest introspective single, “Zizou.” It’s Lucas's cadence and delivery that’s most infatuating about the track. The production feels dystopian, which suits perfectly for Lucas’s attitude and stage setting for him as an artist. On his latest single, Lucas is drawing a line between himself and others who are not cut from the same cloth as him. He’s embracing his uniqueness and understands his gift to the world may not be for everyone. Some sense of unorthodoxly feels refreshing hearing this track coming from the Florida area. Lucas is paving out his own and not waiting for others to catch up. In 2019, Lucas dropped his debut Palm Trees EP and followed up with another track in 2020, “Oceans.” We’re excited to see what else Lucas has planned!
Glimpse - Nkosi Bourne
Brooklyn-based artist Nkosi Bourne recently dropped his latest project, Glimpse, which dictates his manifest destiny toward success and allows his art to widen his perspective on life.
Brooklyn-based artist Nkosi Bourne recently dropped his latest project, Glimpse, which dictates his manifest destiny toward success and allows his art to widen his perspective on life. With every track, you get a glimpse of Bourne’s mindset.
On “What A Little Time,” Bourne pokes fun at the classic saying “it takes time” and embraces the concept “it is what you make it.” Bourne’s performance is poetic but precise in the context. His cadence admires Ice Cube's flow but with a more refined melodic delivery. On “Drowning,” he separates himself from the weak and proves he has the willpower to overcome any challenge that may come his way.
Throughout the 18-minute body of work, Bourne goes back and forth between talking to someone and himself. As if he’s viewing himself from a third eye view, which grants him the ability to see things from different perspectives. The production creates a space for Bourne to unpack his conscious unapologetically. The dusty drums layered on muffled samples embody the classic 90’s sound, which feels like a realm Bourne is most comfortable in. Since last year, Nkosi Bourne has released singles leading to this debut project. This project is a testament to persistence with your dreams and to aiming higher than what’s expected of you.
FEW GUUD THOUGHTS w/ Zachary Moon - Interview & Review
GA artist Zachary Moon recently dropped a 12-track body of work that paints vivid images of one’s journey of realizing and accepting their new reality.
GA artist Zachary Moon recently dropped a 12-track body of work that paints vivid images of one’s journey of realizing and accepting their new reality. Moon holds no punches when exploring different sounds and voice inflictions that create a unique experience for listeners. On his summer release, WHAT5VER, Moon takes on the task of meshing his favorite sonic elements to emphasize his alternative sound direction. By combing 70’s soft rock elements with funky bass lines, Moon blurs genres with grace.
On “Better,” Moon reflects on past time since being in a relationship and learning he’s better on his own.The piano chords, in the beginning, set a comforting realm for Moon to unpack his thoughts and acknowledge how far he’s come from moving past that previous connection. The repetition of “better on my own” feels like a mantra or even an affirmation. The production finds a nice balance between hopefulness and loss.
Songs like “Street Lights” and “WHAT5VER” displays his admiration towards the sounds in his city; the modern drum patterns and loosely led melodies are pure inspiration from the southern music he’s surrounded by. “Shoebox In The Sky” and “Roadkill” feels very grounding during moments of fleeting emotions. Moon’s harmonies are angelic and tranquil against the guitar strings. The majority of the production comes from Moon himself, which truly heightens his artistry and passion for details. Bottom line, Zachary Moon is not your typical artist!
Where are you from ?
I was born in Hawaii and then moved to Georgia. Lived here ever since.
I feel like your sound is very experimental and strays away from the norm southern sound, How has living in Georgia affected your music?
“It's purposefully experimental because I don't want to be, um, I want to be original. I don't want to be grouped together with a whole bunch of people doing the same thing, you know? SoundCloud era, like 2016, you know, like Cardi, Lil Yachty, um, young thug, Migos…
all that underground SoundCloud music really impacted me. It helped me have fun with it. It gave me a new perspective on music. “
How did you start working on music ?
“ I used to play football and realized this is not something I wanted to do. I didn’t want to put in the work to be successful at it.
So, I quit football and started making music on my phone. And from there I just kept having fun playing around, just making songs
Back then, I was just rapping… just a bunch of freestyles. To be honest, it’s sorta the same now, like I freestyle but I also have this mental rubric of what I want to say. “
Did you go to school for music as well?
“Well yeah, around 2018, 2019 I went to college for music. Personally, I was trying to move the production from my cell phone to the computer. But this college really focused on the classical training and I wasn’t feeling that so I left. I knew I wanted something to take my music to the next level and also cater to a certain crowd.”
Is it true you’re making this music out of a bedroom?
“Man, it’s more like a closet (chuckles). But the convenience of it all allows me to stay creative and keep working out because its a muscle.”
Influences ?
“Kanye is like a super big influence to me; His artistry and like the way he approaches the music and how everything just comes together. It’s very inspirational and it makes me want to build, you know?”
What’s one album that influenced your sound ?
“Definitely Blond by Frank Ocean. When I was in college, I listened to that album every day. Over and over, that album is a perfect album. But that corner of music, like Odd Future is truly a big part of me. I grew up on skate culture.”
Do you produce your own music?
“I produce a lot of it. But I’ve worked with JZ Jordy who’s produced “Loaners Theme” and prodcarruba whom produced “Hero;” those two songs have done a lot for my career. Like those beats really brought out some good ideas from me.”
“I taught myself how to play guitar during the pandemic and learned piano in college, and I found a way to mesh those together.”
What did you do different on your latest project compared to Antisocial Butterflies ?
“The bass, I'm trying to get more funky and soulful with my bass.
I was listening to a lot of 70 soft rock during the making of WHAT5VER and that kind of made me wanna start picking up the guitar more.
I really just get in the studio and just, start making something. At the time of creating, I was feeling all over the place and wanted to capture that creativity. “
What’s the meaning behind WHAT5VER?
“Everything is just whatever. I’m just going to create and don’t care how it’s received. Sometimes I deal with anxiety and get nervous about releases and putting myself out there. But it’s coming to a point where if I don’t do it, I’m never going to do it.”
What was the writing process for “Better”?
“I wrote a whole different song to that beat. I came up with the hook off the dome and kept repeating until a verse comes to mind. Sometimes I refer to this book of mine that’s filled with little notes and melodies when I’m having writers block.”
Do you prefer writing on the move?
“No, I write in the moment. When I'm making the beat, I just get to writing honestly.”
What was the hardest song for you to write?
“I made this project over like a long period of time … “One” was pretty hard to write and record, I had to do a bunch of different takes because I was being very critical of myself during the creative process.
My music is very personal “
On “Life Goes On,” you repeat “I’m not the same anymore.” What has changed in your life?
“Its crazy, Ive never been the receiver of compliments. At times, I feel like I’m just there and now…receiving compliments from people is just so different. I always had to put myself out there. Never was the person who was approached, I always did the approaching. Life Goes On is about remembering where you started and where you want to be. I had to rewire my brain a little bit and just, lock in with the music…get ready for the ride.”
What would you like for your audience to get from WHAT5VER?
“I just want them to enjoy it. I wanna make music that people enjoy and people wanna re-listen to.”
If you were running in an apocalypse, what pair of sneakers would you wear and why ?
“A pair of Jordan one Low’s, those are my favorite”
Last three?
Steve Lacey Gemini Rights
Drake Honestly Nevermind
Frank Ocean Blonde
THEGUUDS w/ Sonny Miles, Divine, Izaiah Bindon & STPH So Low
Sonny Miles - “120”
North Carolina artist Sonny Miles recently dropped his single “120.” On their latest single, Miles expresses the ups and downs of being in love and finding joy in those moments of allure. His infectious cadence ignites nostalgia and appreciation toward those classic R&B records our parents would brag about. This song embodies the emotion of fighting for love. What’s cool about Miles is that he’s not scared to beg; we need that shit again in R&B. Nowadays, singers think they’re too cool to plead for their lover. Miles sonic always gravitates well over unorthodox soulful production. This month, Sonny Miles has dropped a single every week; “Country First Name,” “Suite,” and “Pastel Hell.” We’re excited to hear what else he has planned for the future.
Divine - “Amnesia”
Houston-based artist Divine recently dropped her single “Amnesia.” On her latest single, Divine wears her heart on her sleeve. Divine exudes confidence and serenity on her latest sonic offering. Through refreshing cadences and admirable voice inflictions, Divine fights the urge to stop remembering the good times to move on. Divine writing is honest and clever; through homonyms, Divine intertwines “I need ya” with “amnesia,” highlighting the internal battle of accepting change. In 2020, Divine released her debut ep Capricorn Mood, which displays her artistry on a broader scale. Our eyes are glued to what else she has planned for the future.
Izaiah Bindon - “Juices & Berries”
Baton Rouge-based artist Izaiah Bindon recently dropped “Juices & Berries.” On his latest single, Bindon allows his cadence to be the vessel for his melodic delivery. His writing style is descriptive, and he paints pictures for his audience. While exuding confidence and delivering dense metaphors, Bindon is aware of the perceptions others may have about him and uses that to his advantage. The production has many textures that blend well with Bindon’s lyrical content and calming delivery. Last month, Izaiah Bindon dropped two singles, “Blk Skn” and “Avenues.” We’re excited to hear what else he has planned for the year!
STPH So Low & Rimera - “I FEEL…”
LA-based artist STPH So Low teams up with Rimera for their latest single, “I FEEL….” On their latest single STPH explores the topic of mental health and facing black trauma that eventually evolves into paranoia. The sinister jazz sample creates an environment for STPH to unpack his consciousness. The production sets the tone for STPH to explore storytelling through metaphors to get his creative perspective onto wax fully. STPH So Low dropped two EP’s this year, TRUE STORIES & TALL TALES, and shortly after returned with If I gave my all i’d probably die. Our eyes are glued to what he planned for the rest of the year!
SMOKENMIRRORS EP - Dave Coresh
LA-based artist Dave Coresh recently dropped his stellar debut EP SMOKENMIRRORS. The six-track EP is packed with energy and gut-punching verses that display Coresh's mentality and focus on making his voice noticed.
LA-based artist Dave Coresh recently dropped his stellar debut EP SMOKENMIRRORS. The six-track EP is packed with energy and gut-punching verses that display Coresh's mentality and focus on making his voice noticed. On his debut Ep, Coresh welcomes his audience into his complex psyche and allows his freedom of expression to be boundless.
On “TALK2ME,” Coresh demands respect from others and refuses to accept anything beneath it. While “TALK2ME” does feel very leave me alone-ish, at times, Coresh emotion behind his lyrics feels paradoxical. It’s not that he doesn’t want to talk; he would instead prefer to be left alone than surrounded by negative energy. Track two explains those moments of wanting company but not wanting to hear judgmental opinions during those times of camaraderie.
The acronym titled tracks are some of the stands out the moments of the EP. His writing and flow on “IDGNF” is sharp, witty and maintain the project's vitality. “PYMFB” is the perfect anthem to do the complete opposite of chilling. The beauty of this project is the content of the music contradicts the energy of the production. The production's vibrancy creates the atmosphere for Coresh to explore his emotions in dynamism.
Throughout this EP, Coresh embodies this character to protect his inner peace. His music comes off as trying to get a message across through others when deep down, he’s trying to get the message across to himself. It seems as if he’s manifested his current place in life, and to keep himself grounded, his boisterous creative demeanor protects his true foundation. Like some Marvel’s Venom shit, which is pretty dope!
The last track, “CHECK MY CHECK,” is a soundtrack for the underdogs and goes back to the concept of demanding respect. The dusty drums and screeching riffs alongside Coresh's potent delivery go unmatched. Rounding off at 13 minutes, SMOKENMIRRORS displays Dave Coresh's ability to go against the grain and what it means to make art without boundaries.
FEW GUUD THOUGHTS w/ Kapwani — Interview + Review
GA native Kapwani recently dropped her project NAKÚPENDA, a well-written and produced body of work that depicts the journey of self-love and grasping the concept of an upward spiral.
The journey of healing is a process and does not happen overnight. It forces you to face reality and gain a graceful understanding of acceptance. Finding peace within yourself and accepting the person you’ve manifested sets the groundwork for your evolution. GA native Kapwani recently dropped her project NAKÚPENDA, a well-written and produced body of work that depicts the journey of self-love and grasping the concept of an upward spiral. On her latest sonic offering, Kapwani is honest and detailed with her writing, providing a faultless amount of artistry that signifies her presence in music.
The tranquil tone of the project allows listeners to follow Kapwani as she poetically explains how to love yourself. Every song plays a pivotal role in the next one. As if it’s a step-by-step help book about self-love. On “sungokp,” Kapwani discusses feeling free and uses the metaphors of flying doves to express her current inner peace. “UNTITLED” highlights Kapwani’s ever-growing self-love and how she still finds grace during the “complexities” of life. On “like u,” she’s drawing a line in the sand and separating herself from peers whose frequencies don’t align with hers. “feelmeout” featuring DavidTheTragic, is one of the many standout tracks from the project, playing as the prolong for the album.
The 25-minute sonic offering demonstrates Kapwani’s admiration of neo-soul and jazz. The production by Allen Thomas plays an essential role in the pacing and comforting environment the project set forth. The instrumentation alongside Kapwani harmonies is enthralling. Finding inner peace and learning to love yourself could be a roller coaster ride, but Kapwani’s latest project makes the journey easier.
Our Interview
You're from Atlanta, Georgia, right?
“Yes, I was born in Philly, but I was raised here. and then my dad lives in Philly cuz like my parents split up, but I usually go there every summer and like Christmas/New Years time. So I'm pretty familiar with the city a bit.”
How has living between ATL and Philly influence your music?
“Well, I come from an African household. My parents are from Tanzania. So growing up, my parents didn't listen to the radio as much. Well, my mom listened to the radio, but not my dad. He’s not really a radio person. My mom, on the other hand, she listens to like, what's on the radio and then mostly like what she would hear back home and like Tanzania music and stuff”
“I basically grew up when the internet was becoming a thing. So I spent a lot of time, like on YouTube, just listening to a lot of music and all this. So I would say what influenced me the most, not so much up north, but maybe more down south… like listening to Outkast and Erykah Badu. Just a lot of like Southern soul type of music. I really gravitated towards a lot of Southern Neo soul music.”
How was it growing up in an African household, wanting to be an artist?
“It’s funny because my mom thought it was just a little thing, like some hobby. She didn't realize I could sing for real until I performed at a talent show in the sixth grade. Everybody went crazy and they were just like, you didn't know, your daughter could sing like this.”
Were they supportive?
“My parents are very supportive. As a child, my mom and dad always saw that I had an interest in music and singing. Most African parents want their kids to be in school, you know, doctor, lawyer, whatever the case may be. Me on the other hand, I gravitated towards the music. Like even in school, most kids were picking gym when I preferred the arts. I played violin for about eight years and even did a lil classical music. I don’t want to be boxed in.”
What’s your recording process?
“My first EP, Everything Will Be Okay, I recorded that in this apartment, in my house, like alone, I just went and bought everything; Interfaces, speakers, microphone, the whole thing, like, so I could just do it at home in my own comfort. Then I’ll meet up with an engineer to mix it a bit more to my liking.”
Do you remember making your first song?
“I had written this song a long time ago… just had it in a notebook and never looked at it. And I guess, I was in a singing mood one day. I got like a beat off of YouTube. All fun. And then I sung the song and stuff.
I thought it was ass. Everybody else was like you should keep going. So then, um, I decided like, it was going to be an everyday thing.”
What was that switch? When did you start taking music more seriously ?
“When I first started, I would just write little songs here and there. I always loved music but never thought it'd be a career. I didn't think it was accessible until I went out on a limb to do it.”
How would you describe your ideal creative direction?
“I usually like finding a producer that I really get along with and we can actually just hone in, for periods of time and just work.
So for NAKÚPENDA specifically, I did that with Allen Thomas. He produced about six songs on that EP. We also have other songs that just aren't out, you know, I let everything that's.”
How’d you meet Allen Thomas?
“We met through my manager Qi. So QI knew Allen, like they've been friends for some years. And so, um, this was right after I did Afro punk with, I did background vocals for Liv.e. After the show my producer said let’s meet Allen, he makes very dope beats.”
Throughout the project, you could definitely hear the connection and comfort between you and Allen.
“With my writing, I’m intimate with it.. so when I knew I was comfortable writing in front of Allen, I knew I could trust him and we worked really well together.”
Cont’d
“In Atlanta, a lot of producers don't make the type of music that I make or like the type of beats I'm trying to perform on. Or, maybe I just have not been exposed to them yet.”
“Everythingmeta” is one of the hardest tracks from you and Allen. I love the off beat kicks, was that intentional?
It’s funny because we did argue about that in the mixing sessions but I insisted on keeping it the way it is. But yeah, it basically just kind of happened. Like, we didn't really think about it.
Like I heard the beat and then I had this song that I wrote already. I just started singing and then tried to find a flow with it. I try not to think too hard when I do it. Cuz like, if you think too hard, then it's like, you start getting caught up. I kind of just fill out the beat and just move with it
What’s the meaning behind NAKÚPENDA?
“That means I love you in Swahili.”
Is NAKÚPENDA about self love and growth?
“From Everything Would Be Okay to NAKÚPENDA, like, and Everything Would Be Okay was more so talking to a person that I was with and how I was unhappy. But for this project, this is just me, like, actually, Because at the time, I didn't realize, like, what I was doing with my music. I'm more self-aware as to what I'm writing about and what I want to get across, you know? For this project, I feel like I'm stepping into my own light and leaving what happened in the past, and like seeing what's set out for the future”
Tell me more about “Jalen’s Interlude”
“So Jalen is an old friend of mine who passed away. It’s a bit sad because I did not know her for a long time but for the time I did, she was a very, very sweet person and very confident. So in this song, When I wrote it, I didn't really realize I was writing it about her until I was done with the song type of thing.”
“She always believed in the idea of an upward spiral, which I adopted for myself. Jalen carried the attitude of understanding people may be against you and that their opinions shouldn’t matter. What matters is how you think of yourself. She always stepped into her own light and I felt as if this interlude embodied her aura. “
“Untitled,” was it really hard to find a title for it?
“Yes! Like, I am really bad with titles. Like if you ask anybody like, oh my goodness.”
If you were running in the apocalypse, what pair of sneakers would you wear and why?
“You wanna have shoes for comfort, but if I think about younger me and like, I used to play outside a lot, definitely some high top converse. Once you beat them in, they're comfortable. (Chuckles) It may not be good for your bones, but you gonna get somewhere,
What's one album that's impacted you and your sound?
“Probably Choose Your Weapon by Hiatus Kaiyote.”
How would you describe your music in two words?
Eclectic and free
How did the cover art for NAKÚPENDA come about?
I found this artist Jasper Hugo probably before the album was even a full thought and I just really loved their work. They had a certain way of drawing their characters. We connected on Instagram and once I realized I was actually making an album, I would send them music and we began brainstorming the cover art idea. I wanted to feel part of this new world and the reason I’m holding a laptop is because of how much tech impacts society.
What would you like the listeners to get from your new project?
“I would want my listeners to know that it's okay to be uncomfortable in your skin and comfortable in your skin. In those two phases, like always love yourself no matter what. Cause sometimes, like I said before, Sometimes people can make you feel weird about yourself, but like, you don't have to surrender yourself to that. Write your own story.”
What are the last three albums you listened to?
Reflections by Tony Snow
Afro by Brandy
When I Get Home by Solange
THEGUUDS w/ My Favorite Color, HENNESSY, Saiming, STEFAN THEV, Ice Spice & Jev.
My Favorite Color - “Mama’s House”
Pittsburg native My Favorite Color makes his eclectic return with his latest single, “Mama’s House.” My Favorite Color — or Willis never fails to amaze and provides lighthearted verses that embrace life's blissfulness. The production by ZAYALLCAPS and KEEM THE CIPHER gives the necessary space for Willis to explore tongue-in-cheek rhyme schemes and unique voice expressions. The dusty drums are mesmerizing, and the hook is catchy; it has a triumphant vibe gracefully. Since March, he’s released a few singles, building his catalog with different sounds and textures. We’re excited to hear what else he has planned for the future.
HENNESSY - “In My Head”
Providence, Rhode Island artist HENNESSY recently dropped her latest single, “In My Head,” right on time as we approach Fall and those summer flings begin to fickle. On her latest single, HENNESSY reflects on heartache and the mental burden that weighs while trying to move on from a relationship. Exploring a few too many wine glasses and facing the fact the relationship was not fulfilling. HENNESSY’s vocal arrangements are precise and angelic, but the writing truly demonstrates her artistry. HENNESSY proposes questions that highlight the disconnect between her previous love interest and current self. The production by StashtheWave is polished and creates a comforting field for HENNESSY to be express without being guarded. Earlier this year, HENNESSY dropped “ALL FOR NOTHING” and featured on “Stuck in the Past” by Jae Lynx. We’re excited to hear what else she has planned for the year!
Saiming - “WOOF MEOW”
South London-based artist saiming dropped “WOOF MEOW.” As soon as you press play, you’re encapsulated by saiming’s diction and steady flow. His delivery is the conductor, and the beat is his boundless pathways. The production finds a cohesive balance between nostalgic Neptune textures with a modern Monte Booker twist. The spacey soundscapes feel a new direction for UK music. Last year, saiming released his debut EP The Vibe Supply. We’re executed to hear what else he has planned for the year!
STEFAN THEV - sex! money! violence!
Boston artist STEFAN THEV recently dropped his latest single, “sex!money!violence.” You can always expect a unique listening experience from THEV. His voice experimentation is electrifying and embodies various sonic textures. On their latest single, THEV reflects on topics that weigh heavy on their consciousness and the upward battle of dealing with inner demons. The muffled guitar strings will have you sharing the same feeling of spiraling that THEV poetically describes throughout the song. Check out STEFAN THEV's other recent singles, “WASTED” and “ghouls! zombies! skeleton!”
Ice Spice - “Munch (Feelin’ U)”
Bronx NY artist Ice Spice recently dropped her latest single, “Munch.” Embodying the drill sound with her twist, Spice is drawing a line in the sand and making her voice heard. Earlier this year, Ice Spice started making noise by performing on popular EDM samples with heavy drill drums that’ll leave your speakers vibrating. Tracks like “Name of Love” and “No Clarity” signifies Spice's ability to outshine the saturated Bronx drill market. We’re excited to hear what else she has planned for the future.
Jev. - “where’s the confetti?”
Canada-based artist Jev. recently dropped his latest single, “where the confetti?” I’ve heard this sample flips and rapped on multiple times, but this verse runs laps amongst the inferior. Jev.’s delivery is distinctive and filled with characteristics that lighten his wittiness. With references to the Source awards, vice indulgence, and giving a subtle fuck you reminder to the naysayers, Jev. embraces the belief in his near future success. Earlier this year, Jev. released two singles, “what a life.” and “aitd(demo).” We’re anticipating his debut!
FEW GUUD THOUGHTS w/ BUPPY. — Interview + Review
Utah native, now LA-based artist BUPPY recently dropped a six-track EP titled Cold Nights In Hollywood.
Moving from your tiny hometown to a big city comes with pains and gains. Between learning how to maneuver in a new society and pursuing your dreams amongst others who share those same motivations can be challenging. Utah native, now LA-based artist BUPPY recently dropped a six-track EP titled Cold Nights In Hollywood. On his latest sonic offering, BUPPY provides heartfelt stories about love, loneliness, anxiety, and acceptance through the lenses of himself and his peers. The now 18-year-old artist experienced a lot of life, and due to the past two years keeping us inside, BUPPY found a therapeutic outlet to express his thoughts without barriers.
The cover art embodies the emotion behind the EP. BUPPY’s writing is personal; borderline mnemonic in the way he uses objects to push his story forward. The soundscapes provided by BIOA, HARRY WAS HERE, DXCKLIN, eeryskies, pnkblnkt and Geller highlight the various emotions BUPPY purveyed on the EP.
The production on “Down&Low” creates a comforting atmosphere for BUPPY to reflect on his father's absence at an early age. The voice experimentation and electric drum patterns make BUPPY. fearless when discussing challenging topics. On “WTDWTS” BUPPY finds acceptance in life's imperfections and embraces the yin and Yang of adulthood.
How did you get the name BUPPY?
"When I was a kid, my family and like close friends would call me that. As I grew up, it started to fade out because earlier in my career, I was doing rap music and went by Visionary. (Chuckles) it was terrible but I was also young.”
Where are you from?
“Uh, I'm from Utah originally park city, Utah. It's like 30 minutes away from Salt Lake. So I did have a city near me, but it's a pretty small town. It's like 10,000 or something.”
How has your city influenced your music?
“Being in salt lake is cool. Like park city, I would say, probably not any influence but it's fucking beautiful… Salt Lake is cool because there's like a lot of bands that come out of there that are huge in indie stuff. Like Backseat lovers are probably the biggest outta Utah right now”
What is your creative process?
“I definitely write about situations and like memories and I'll write about shit that happened like three years ago today or I'll write about something that my homie is going through right now from his perspective and not even tell his ass just cuz he gave me some interesting story, you know?”
The bigger story of “Man in the Stars” is mental health…um, like I've had a bunch of homies who, took their own life and like Utah is third in the us for teen suicide.”
How has LA influenced your music?
“I feel like musically, other than like the people here who much of which I work with are not from LA. I wouldn't say LA has done much to influence my sound.
One thing I undervalue but should be more appreciative of is how often artist come into town for a few nights, get bored and hit other artist they know who live in LA. That’s how I end up in a lot of sessions and I believe that influences my sound more than anything.”
What are the best things to do in North LA at 2:05 AM?
“Honestly, very few times. Um, do I, uh, end end up in north Hollywood at, or north Los Angeles at two, five.. At the times that I have been. Uh, there's this bar in north Hollywood arts district and it's does not ever ask me if I'm 21 and that's, that's where I'm at, basically.”
Tell me more about Cold Nights In Hollywood and your writing process for it
“I write full songs pretty much entirely before I record them. Attaching experiences and stories; being very descriptive. Cold Nights In Hollywood is literally a story of what happened to me this past year and a half. And I was making these songs during that time.”
Are there really Cold Nights in Hollywood?
“It’s not like Chicago, New York cold. But yeah, like it gets weirdly cold, like in the winter, especially my first year here, for some reason. Was super fucking cold. But the meaning behind the cold nights things is the emotional coldness of this entire place (LA). I think a lot of people experience that same shit here, it's a pretty hard place socially.”
What’s the story behind “Man in the Stars”?
“Man in the Stars,” that whole song is about my friend's dad who killed himself. It's about a friend of mine whose dad took his own life. He was struggling with a bunch of issues; in and out of rehabs before. I kind of took that story and like, you know, wrote it out. So I think that’s my creative process, it has to be real.”
When did the switch happen?
“August of 2020, I took all of my old shit down and like, did this completely new look. I was still BUPPY, but new in terms. Nobody has heard a single record from me before I moved to LA. Like even my manager didn't know me until three months after I had moved and the release of my biggest song, “Open My Letter.”
In three words, how would you describe your music?
“Super, Fuckin, Different”
Last three projects you listened to ?
Steve Lacy - Gemini
quinn - quinn
See You Next Year
THEGUUDS w/ Dachelle, Dee Smiff, Jordan Occasionally, Lord Sko & Francesca Wexler
Dachelle - “Grapefruit”
NY native Dachelle returns with their latest single, “Grapefruit.” For the second time this year, Dachelle welcomes listeners into her world and allows her angelic voice to write a passage. On her latest single, Dachelle reminds us to hold onto the good moments because they do not last forever. Using the sweet and bitterness metaphor of grapefruit with sugar paints a vivid picture of the good and bad life presents. Dachelle’s overtone plays a pivotal role in the writing and the production. Both Dachelle and producer KAIYI create an blissful experience with their production direction. Earlier this month, Dachelle released her single “Give Up,” which caught a lot of traction on Tiktok. We’re excited to hear what else she has planned for the future.
Dee Smiff - “Swerve!”
Tennessee-based artist Dee Smiff recently dropped his single “Swerve!” On his latest single, Smiff recounts situations that could’ve gone bad but ultimately worked out for him. Smiff is precise with his metaphoric storytelling. His words are minimal but just enough for listeners to visualize what he’s saying. The hook and vocal experimentation are the stand-out moments, truly highlighting Smiff’s ability to explore different sounds while maintaining a mellow vibe. The production provided by Kwama suits the energy and delivery by the emerging Tennessee emcee. A few elements resemble Isaiah Rashad, but there’s enough distance for Smiff to present his approach to this evolving modern southern sonic. In 2020, Dee Smiff released two singles, “Arnold Palmer” and “where we going?” We’re excited for where he takes us next with his catalog.
Jordan Occasionally - “If You Want My Love”
Memphis native Jordan Occasionally recently dropped their latest single, “If You Want My Love.” On their latest sonic offering, Occasionally displays her endless vocal ranges over the grounding production provided by Noah Andreas Ploderer. The percussion and spontaneous sax riffs are perfect matrimonies alongside Occasionally’s indulging harmonies. The subtle nostalgia of Brownstone's “If You Love Me” is refined and refreshing, demonstrating Occasionally’s love and respect for traditional R&B music. Last year, Jordan Occasionally released their debut project *Indigo* to strip away the title of being a “rising artist” and paving out their lane as a musician. We’re excited to hear what else they have planned for the future.
Lord Sko & Gnarly Marley - “welterweight”
Washington Heights artist Lord Sko recently dropped his debut project, MUSEUM, which indeed sits as a lyrical exercise amongst Sko and his peers on polished soul samples that only a crate digger would know. Occupying the 3rd spot on his 15-track album, “welterweight” featuring Gnarly Marley is one of the many standout tracks from his debut. On “welterweight,” Sko and Marley hold no punches when delivering strong metaphors and enticing similes that confer their artistry. Last month, Lord Sko released his debut MUSUEM with guest appearances from Wiseboy Jeremy, Diz, MARCO PLUS, Dre Wave$, and many more. We’re excited to hear what else he has planned for the future.
Francesca Wexler - “Bouillon”
Toronto-based artist Francesca Wexler returns with her latest energized single, “Bouillon.” Wexler does not shy away from performing at a high caliber on daring production. Her delivery and pacing always find a way to exceed expectations and leave a lasting memory on listeners. On her latest single, Wexler explores an abstract rhyme scheme while denouncing any negative energy that tempts to cross her path. The production is powerful! The heavy drums and percussions allow Wexler to force-feed her use of personifications and metaphors with intention. Last June, Francesca Wexler released her single “Bronzefish,” We’re excited to hear what else she has planned for her growing catalog.
THEGUUDS w/ HALFnHALF, JustEnd, Phoenix James, Thunderous Knight and Allen Love
HALFnHALF - “Counting Sheep…”
LA-based band HALFnHALF recently dropped their second single, “Counting Sheep…” This song has an excellent way of meshing doo-wop with modern essentials. The steady drums keep the song's pace, while the guitar creates subtle trails for the harmonies to explore their range. On their latest, the band reflects on the difficulties of trying to go to sleep while pondering on unresolved feelings. Their production ignites a nostalgic soundscape with a more refined and purposeful delivery. The band consists of four members; Daiela Simon-Seay, Malcolm Huss, TAJ COVE, and Myles Anderson. A few months ago, they released their debut single “LADY,” and we're excited about what else they have planned for the future
Justend, Joe Aste & papichuloteej - “lost”
Long Island native Justend teams up with Las Vegas artist papichuloteej for their single “lost,” produced by Joe Aste. On their latest single, both artists present different perspectives on the ups and down of being in love. JustEnd’s cadence is the vessel to his melodic delivery. The infectious percussion and steady guitar riffs set the stage for JustEnd to unpack his feelings without barriers. Their vocal arrangements complement each other, and the melody is magnetic. Since the year began, JustEnd and NY producer Joe Aste has dropped a few singles, highlighting their unmatched work ethic. They met at NYU and developed a sincere, creative partnership with an evolving joint catalog. We’re excited to see what else they have planned.
Phoenix James & Junii - “Teary Eyed”
Miami-based singer-songwriter Phoenix James teams up with Junii for their latest sonic offering, “Teary Eyed.” On their latest single, James displays her thoughts on fleeting moments due to an unbalancing in a relationship. Junii’s cadence is tight in the pocket and filled with alluring metaphors that are easy to miss if you’re not listening closely. The production aligned with the cynosure writing and delivery by James feels like a guided meditation. A brief moment of solace and acknowledgment. In April, Phoenix James released a five-track project, New Stages.
Thunderous Knight - “No Call No Show”
Southern California native Thunderous Knight recently dropped a song called “No Call No Show,” which also shares the exact title of his debut project. On his latest song, Knight is doing a victory lap for finally quitting his “9-5.” The contrasting energy between Knight’s delivery and the production is keen to his impressive artistry. The production starts anarchic, but the steady drums and mellow synths create a zen atmosphere for Knight to explore his creativity. He controls the pace of the song effortlessly and forces the attention of his listeners. His lyrical stamina holds no punches while emerging nostalgic and modern Cali essentials. Leading up to his latest drop, Thunderous Knight released two singles, “Flashy” and “Benjamins.” We’re excited to see what else he has planned for the future.
Allen Love - “Squirrel”
College Park artist Allen Love recently dropped his latest funky single, “Squirrel.” Love’s voice is angelic and assertive. The subtle background-based and center focus synth piano draws audiences in. Honestly, it’s impossible to have this song on and not hit your little two-step. The vocal arrangements complement each other, providing an abstract sound that’s refreshing and zestful. Early this year, Allen Love released a live performance album, Allen Love with Safari Williams and guest Live at The Grid.
SHINE - Bbm Deion
Bbm Deion is a rising star based in Lubbock, TX, who has built quite the buzz in music circles this year.
Written by: Trey Fox
Bbm Deion is a rising star based in Lubbock, TX, who has built quite the buzz in music circles this year. In 2022, the 18-year-old rapper released four highly regarded singles that were packaged into a collection called “face 2 face.” Deion has been covered across the musical map, receiving editorial placements from platforms such as Spotify, Fashionably Early, SoundCloud, and Genius. To keep the momentum going, Deion recently dropped his debut EP, “SHINE.” The 15-minute record is full of memorable moments in its modern production choices and in Deion’s melodic and lyrical approach to crafting songs.
Deion begins the record on a strong note with “Take Off,” a fitting intro that feels emblematic of the success he’s enjoyed thus far in his career. He raps with supreme confidence and flair, and his rhymes are quick-witted. “Set It Off” is a slight shift with moodier production. Deion’s tone is more melodic, singing about his heart turning cold and navigating phony relationships. He delves further into this on “Runner,” saying that he knows, “Some niggas faking/They get cut like a rope.”
Deion picks the pace back up on “Get Even,” vowing to settle scores. “Know some people hate me in my city/I’m still breathing,” he reflects. The production is dynamic with swirling synths and booming 808s, and it transitions with dark piano riffs. “Sky High,” the EP’s official closer, is another hit-worthy record that sees Deion revel in his success while looking back on overcoming past struggles. The bonus track, “Dangerous,” is incredibly heartfelt. Deion confesses to dealing with drug use to cope with his traumas. He desires to leave his past life behind, asking, “Why you using Glocks like it’s your instrument? Put it down, go get you some money/We some businessman.” Deion is looking ahead, intent on shining on his path in music.
THEGUUDS w/ lamuse, Francesca Wexler, Thorne Malik., Kwajo, & Bazio
lamuse - "Kombucha"
NY native lamuse returns with her latest energized single, "Kombucha." Through alluring metaphors and distinctive cadences, lamuse compares the bitter taste of kombucha to women who have expensive tastes and unreachable expectations in a relationship. lamuse's delivery is drenching confidence, and her tonality saturates the alternative trap-ish production. Her pacing and demanding hook conveyance shine a light on the intensity of that dynamic. At the peak of 2022, lamuse dropped two singles, "Reddit" featuring Dachelle and "Retro 3" featuring yeahCALEB.
Francesca Wexler - BRONZEFISH
Toronto based artist Franscesca Wexler recently dropped her latest sonic offering, "Bronzefish." The song withstands a build-up and goes directly for the punch. The production is big and provides the perfect realm for Wexler to emit her charm with dense descriptions. On her latest single, she reflects on no longer playing nice and not allowing her kindness to be taken for weakness. Her exploration of nostalgic and modern Hip-hop serves as a vital element of her music. This may be a reach, but her tonality and cadences feel like a more refined Tupac. It's the way she holds out her vowels and demands attention through personification. A few months ago, Francesca Wexler dropped two singles, "Cherry Fields Forever" and "Princess Diana." Our fingers are crossed for maybe an album this year.
Thorne Malik. - “back n for(t)h”
CT native Thorne Malik. returns with his latest single, "back n for(t)h;" serving as the perfect soundtrack for dancing during a summer sunset. On his latest offering, Malik. reflects on love and coming to terms with the fleeting moments of a relationship. His delivery is bright and embodies hopefulness. Malik. displays his passion for blending different coastal sounds to show his creativity. Meshes traditional R&B elements with Chicago's Juke drum patterns. Thorne provided the production arrangement. Last May, Thorne Malik. released his single "(t)wo eff" and started performing live shows with his band, The Deep Cuts.
Kwajo- "over and over"
North Virginia artist Kwajo recently dropped his latest single, "over and over." The garage focus production provides the subtle energy for Kwajo to reflect on the constant cycle of feeling overwhelmed with emotions. This song encourages listeners to embrace their feelings and understand that they're not alone. Produced by Andrés Ian, the glitchy hi-hats and plush snares mesh well with Kwajo monotone voice inflict. The 20-year-old artist provides a unique perspective on breaking the cycle of silencing black trauma. His writing is pure and boundless, displaying the correct amount of vulnerability without it feeling too heavy to listen. It's a dance track but also thought-provoking. Last March, Kwajo dropped "Inside Out," and our ears are glued to what he drops next.
Bazio - "Crazy Love"
Melbourne artist Bazio recently dropped his latest energetic single, "Crazy Love." The 20-year-old alternative musician provides the perfect upbeat anthem for summer love flings. The consistent guitar strings provide a subtle momentum for Bazio infectious writing. On his latest single, Bazio allows his experience from a past relationship to lead his heartfelt ode. His voice inflictions and experimentation is the heart and soul of the single. Bazio's blissfulness creates a euphoric atmosphere to numb the pain of unanswered questions. Since the new year, Bazio has released "criminals" and "get out!" as appetizers to his main course. He's scheduled to drop his debut EP this year, and we're excited about it!
Evil Twin - Fatboyshaun & Ricky Mapes
Texas' very own Fatboyshaun and Bronx native Ricky Mapes team up for their latest project Evil Twin. This project is filled with many high moments and engaging artistic gestures that display the personas of both artists with grace.
Texas' very own Fatboyshaun and Bronx native Ricky Mapes team up for their latest project Evil Twin. This project is filled with many high moments and engaging artistic gestures that display the personas of both artists with grace. The beauty of this match-up is their delivery, and unique voice inflictions compliment each other. The production provided by Cuffedgod, Koren, GRIMM Doza, Mirco, and Kid Mozes creates a comfortable space for both emcees to glide through different pockets and provide abstract storytelling.
While they both can find a groove on the heavy lofi sample production, they differ in styles. Mapes' delivery on "Joe Dirt" is sharp and leaves no space for error. Shaun's pacing on "Doc Martine" feels climatic against the wicked string sample production. On songs like "$5 Advil" and "Zoo York," they pull the best out of each other, which shines a bright light on their chemistry.
This tape feels like two friends shooting the shit over characteristic samples while seeing who can say the smoothest metaphor in the room. Earlier this year, Ricky Mapes released a few singles, "BIG MAPES," being one that reached our radar. Last year, Fatboyshaun released two projects, $100 Pasta Plates and Scalping Tickets To Get To Heaven.
Highway - Highway
Recent underground graduate Highway released his self-titled debut project through Victor Victor Worldwide in affiliation with Geffen Recordings.
By Howie Butler
Recent underground graduate Highway released his self-titled debut project through Victor Victor Worldwide in affiliation with Geffen Recordings. Highway's been in high demand, as he garnered an immense buzz through his introductory mixtapes that featured production from the likes of Xjay and jetsonmade.
Highway's vocals had originally fielded comparisons to Future and Kid Cudi, and while those comparisons still apply, he's carving out his lane vocally. As a rapper-producer, Highway's been able to build out the moody auras commonly heard across this project and his discography. This allows his performances to glide across the instrumentals, as seen in the standout songs "Someone" and "Take It All". The project is highly immersive and replayable, making it perfect for any setting. While its 26-minute runtime gives a small taste of what's to come shortly, it leaves listeners hungry for what's next from SeaTac's succeeding superstar.
EXCURSION! - bluemason & Roman.
Kentucky MC Roman. teams up with Salt Lake City producer bluemason dropping "EXCURSION!".
By Adrian Richards
Kentucky MC Roman. teams up with Salt Lake City producer bluemason dropping "EXCURSION!". Roman. has been the underdog of the IND collective for a long time. Every show of his lyrical ability, it gets better every time. This EP shows that. The eerie intro track "SLEEP" fades you into the elusive mind of "Roman.". The delivery is almost seamless to the production in a way I never heard from any upcoming MCs.
bluemason provided that push through the timely instrumentations. I heard his work with seFu, so I expected this level from him. The standout track "ITSYOWORLD!" comes last from the 6-track EP. "Shoulda gave you some points; I'm bout to break the board," he speaks over the melancholy production. You could feel the beat envelope your senses as the course of the story makes your head knock—a valid release from the IND camp for the coming season.
THEGUUDS w/ Tempest, KADOLEAF, Kevin Holliday, Jireh and Fatboi Shariff
Tempest - “Agua”
Tempest returns with her latest single “Agua,” right on time for the day parties. The bright melodies blended with Tempest's braggadocios cadences. On her latest single, Tempest’s ebullience exudes confidence. The subtle Nelly and Kelly Rowland “Dilemma” sample ignites the perfect amount of nostalgia for seasoned ears. This song would be perfect for a poolside setting or a nice bbq with the homies, regardless, it should be added to your summer playlist. Last year, Tempest dropped her most notable song “Lemon Pepper.” Our fingers are crossed for more music before the summer ends.
KADOLEAF - “USED TO IT”
DMV artist KADOLEAF returns with his latest single “USED TO IT.” KADOLEAF is paving out his lane in music and experimenting with a variety of sounds, making it impossible to box him into one genre. On his latest single, he comes to terms with the cause and effect of his actions. The lighthearted hyper-punk sonics meshed with glitching high hats creates a safe space for KADOLEAF to dance through the blissful moments while admiring his perseverance to overcome weighed emotions. Recently KADOLEAF was featured on mynameisntjmack’s latest album THE LORDS OF SOUNDS AND LESSER THINGS. Earlier this month, he dropped a collaborative project SHOULD WE SEE EACHOTHER AGAIN? alongside Brooklyn rapper Bert Knox and Queens producer tookhozy. Since the new year, he’s been releasing singles, adding to his genre-blending catalog.
Kevin Holliday - “Out of Me”
Brooklyn native Kevin Holliday returns with his latest lustrous single “Out of Me.” Holliday brings a certain energy to music that displays his infatuation with chord progression and admiration for vocal experimentation. Compared to his previous works, this song feels like a ballad. On his latest single, Holliday reflects on a long-distance relationship that encouraged a new perspective on life. Holliday’s mellifluous voice feels dreamy over the heavy-handed guitar riffs. He has an honest way of blending genres without it feeling like he’s trying hard to go against the grain. Last March, Kevin Holliday released “Put It Down,” and has performed at multiple venues in NY since the year started. We’re looking forward to what he has planned next.
Jireh - "2 THE MAX”
Baton Rogue native kicks off the second quarter with his latest single “2 THE MAX.” Jireh has a unique cadence over the hazy unorthodox drum pattern. The sampling of Gwen Stefani’s “Sweet Escape” is nostalgic and reviving for new audiences. On his latest offering, Jireh is no longer biting his tongue and calling out the negative energy as he sees it. He reflects on his peers plotting on his downfall and how he uses that as a motivation to maintain. Jireh’s pacing makes listeners hang on to his metaphors. Last March, Jireh released the MBK- EP with Tre Louis and a few singles after. We’re excited to see what else he has in the works for this year.
Fatboi Sharif & Mr. Muthafuckin’ eXquire - “U SHITTIN ME?”
New Jersey native Fatboi Sharif teams up with the talented Mr. Muthafuckin’ eXquire for their latest lyrical sparring “U SHITTIN ME?” The cover art paints a picture of what to expect when you press play on this track; Both artists hold no punches. The production by Driveby is submerging and feels rowdy like you’re at a sporting event or in this case a wrestling match. Sherif’s jammed-packed cadences are enriched with witty punchlines and vivid imagery. eXquire follows up with his sharp delivery and pernicious rhyme schemes. Last March, Fatboi Sharif released an EP Cyber City Society with LoneSword. Our fingers are crossed for more new music.
