If My Jeans Could Talk by Kyle Dion | REVIEW
If My Jeans Could Talk’, an eight-track EP continues to build off of Dion’s everlasting catalog of heavy funk based bass lines, angelic falsetto’s and poetic innuendos.
As of now, Kyle Dion has a perfect record of 3 out of 3 for consistently selecting the perfect introductory track, effectively establishing the mood for his latest musical offerings. ‘If My Jeans Could Talk’, an eight-track EP continues to build off of Dion’s everlasting catalog of heavy funk based bass lines, angelic falsetto’s and poetic innuendos.
The leading singles “Boyfriend Jeans,” “Lets Get It On,” and “Hang Me Out to Dry” are just the first stop on Dion’s sonic expedition. Dion’s carefree direction allowed him to embrace vulnerability with aplomb. On tracks like “Put Your Hand in My Pocket,” Dion is wearing his heart on his sleeve. He harpers on what life could be if only his partner could appreciate the simple things in life just as much as he does. As the song progresses, along side Dion’s affectionate delivery, the production stacks on multiple layer instruments to create a rich and immersive musical tapestry, enhancing the emotional depth of the melody and captivating the listener with a symphony of harmonious sounds.
Collaborators such as Michael “Miko” Simard, Soran, Grant Sayler and many more assisted with setting the tone for the EP. Kyle Dion sounds pure and sincere on his latest Ep, ‘If My Jeans Could Talk.’ As if he’s done hiding behind his glorified persona and beginning to settle in with trophies he mentioned he’ll be back for.
Burning Desire by MIKE | Review
Before the year comes to an end, NY rapper MIKE is ensuring that he’s occupying a few spaces on people’s favorite albums of the year lists. Only a month after his collaborative effort with Wiki and The Alchemist, Faith is a Rock; the talented artist returns with his latest solo album Burning Desires. Just like most albums from MIKE, you expect overflowing of witty wordplays and smothered soul samples that feel like a blanket— but on his latest effort, the emcee steps in a realm of creative possibilities while wearing his heart on his sleeve proudly. MIKE delves into universal themes like grief, family, and identity on his latest sonic offering.
MIKE's prowess is evident in the carefully sculpted pockets of sonic space he discovers within these compositions, offering the perfect canvas for some of his most agile and skillful rapping to date. "plz don’t cut my wings" featuring Earl Sweatshirt sets the tone for the album, featuring MIKE's signature laid-back flow and reflective lyrics. It introduces themes of self-discovery and resilience. On “98” MIKE reflects on a brief moment in his adolescence; truly a coming of age feeling. The pugnacious production on "African Sex Freak Fantasy" provided the perfect realm for MIKE demonstrating his willingness to experiment. Under his producer alias, dj blackpower, Burning Desire serves as a compelling showcase of MIKE's evolution as a producer. Each track represents a meticulously crafted soundscape, akin to a delicately arranged ecosystem he’s designed.
The album's tracks blend seamlessly into one another, creating a cohesive narrative. MIKE's storytelling and lyrical abilities shine throughout, inviting listeners into his introspective world while tackling a variety of topics. Each song is a unique experience, contributing to the overall depth and richness of Burning Desire. MIKE's ability to balance the exploration of grief and happiness in Burning Desire is a testament to his lyrical depth and emotional range. He captures the multifaceted nature of human experience, offering listeners a nuanced and authentic portrayal of life's ups and downs.
THE STARS BETWEEN MY TEETH by SIRA | Review
THE STARS BETWEEN MY TEETH by SIRA was released on September 7, 2023. The project has a 23 minute runtime filled with guitar led melodies and optimistic synergy revolving around reflection.
The 23 minute sonic journey, THE STARS BETWEEN MY TEETH by NY musician SIRA offers a refreshing blend of guitar-led melodies and an uplifting synergy. The album navigates complex emotions with a graceful touch, skillfully intertwining a narrative of compassion and optimism. SIRA's artistic vision shines as the album deftly navigates a spectrum of complex emotions, all while maintaining a graceful touch and artful storytelling.
“OUT OF CONTROL” emerges as a shining gem on the album, showcasing SIRA's ability to craft both emotionally resonant lyrics and captivating melodies. It explores the feeling of losing oneself in the whirlwind of life's chaos, and the music mirrors this sense of tumultuous energy, with a dynamic interplay of guitar riffs and rhythmic percussion. The song's powerful chorus is an anthemic highlight that's bound to leave a lasting impact on listeners. “COMPLICATED” dives into the complexities of human relationships and emotions. Musically, it sets a mellow and reflective tone, with a delicate balance of acoustic guitar and SIRA's emotive vocals. The lyrics capture the intricacies of a troubled relationship, conveying the challenges and uncertainties of feeling under appreciated. and mixed feelings that often come with love. SIRA's vocal delivery here is particularly poignant, expressing the nuances of the emotions at the heart of the song.
SIRA's decision to bring in collaborators like Mike Snell, Hush Forte, and EPT adds a layer of diversity to the album. All the producers bring forward fresh perspectives and new sonic textures. THE STARS BETWEEN MY TEETH draws inspiration from folk music but reimagines it in a contemporary context. The album skillfully blends acoustic instruments with modern production techniques, resulting in tracks that are rooted in tradition yet feel entirely fresh. It's a record that invites listeners to embark on a journey of exploration and introspection while enjoying a captivating musical landscape.
Nearly Straight by Chlothegod | Review
Chlothegod's debut EP, "Nearly Straight," is a captivating musical journey that seamlessly fuses elements of neo-soul and punk. Released on October 13, 2023, this EP serves as a testament to her remarkable talent in crafting a distinct sound. Crafting an artful fusion of electrifying pop-punk anthems, guitars bathed in ethereal reverb, and velvety R&B melodies, Chlothegod's music stands out as a unique creation that evokes a profound sense of nostalgia.
Chlothegod's debut EP, "Nearly Straight," is a captivating musical journey that seamlessly fuses elements of neo-soul and punk. Released on October 13, 2023, this EP serves as a testament to her remarkable talent in crafting a distinct sound. Crafting an artful fusion of electrifying pop-punk anthems, guitars bathed in ethereal reverb, and velvety R&B melodies, Chlothegod's music stands out as a unique creation that evokes a profound sense of nostalgia.
The EP showcases Chlothegod's remarkable lyrical skill, offering introspective lyrics that provide a window into her personal experiences and emotions, fostering an environment for the exploration of intricate feelings. They invite the listener to engage in self-reflection while maintaining an optimistic and empowering undertone, especially evident in tracks like "My Bad, My Fault." The catchy upbeat tempo on creates a carefree atmosphere for Chlothegod to addresses personal accountability while maintaining an aura of optimism, making this track truly commendable.
"UGOMDN" immerses its audience in a blend of nostalgia and contemporary funk. Chlothegod's emotive lyrics and vocal delivery create a sense of familiarity yet remain refreshingly innovative. The fusion of funk and soul elements adds depth to the track, making it a standout piece within the EP. The infectious rhythm and Chlothegod's commanding vocals on the lead single “Camille” truly set the tone for blends of sonic energy throughout the project.
Additionally, it should be noted her voice is a powerful instrument that weaves through each track with both emotional depth and an infectious energy. It's not just the melodies but the delivery and passion behind them that leave a lasting impact. Her vocal performance is versatile, adapting effortlessly to the different moods and genres explored in the EP.
Chlothegod has crafted a mesmerizing debut EP that transcends genre boundaries and delivers a musical experience that's both introspective and energetic. Her unique fusion of pop-punk, soulful R&B, and heartfelt lyrics sets the stage for a journey through personal experiences and emotions. 'Nearly Straight' is an unforgettable musical statement that firmly establishes Chlothegod as a rising talent in the music industry.
FEW GUUD THOUGHTS | Bert Knox | a short story about love, ego, and, death | Interview + Review
Bert Knox's a short story about love, ego, and death is a well-crafted and thought-provoking album that showcases Knox's vulnerability, dramatic flair, and introspective lyricism. The album's themes of mortality and self-reflection resonate throughout, making it a powerful and poignant listening experience.
Life experiences are essential when it comes to honest writing. Allowing those moments in time to express your thoughts and the current state of the realm to be shared gracefully is a challenge for most but comes easy for Brooklyn artist Bert Knox. Knox recently dropped a 25 min listening experience that serves as a score for a short story about love, ego, and death. Executive produced by his long-time friend and collaborator tookhozy, the production's efficacy creates the perfect haven for Knox to explore his thoughts boundlessly.
Knox's album a short story about love, ego, and death is a thought-provoking and introspective project that delves deep into themes of vulnerability, self-reflection, and mortality. His lyrics are personal and detailed, exploring his feelings and experiences with a raw and honest delivery. One of the standout tracks on the album is "Don't Let the Credits Roll," which explores the topic of suicide. Knox admits that it was challenging to write this song because he was concerned about how people would react to it. Still, he ultimately decided to include it, showing his willingness to explore complex topics through his music.
Bert Knox's a short story about love, ego, and death is a well-crafted and thought-provoking album that showcases Knox's vulnerability, dramatic flair, and introspective lyricism. The album's themes of mortality and self-reflection resonate throughout, making it a powerful and poignant listening experience.
How would you describe your music in two words
“Vulnerable and dramatic”
Why dramatic?
“Well for the sake of art, you have to dramatize things and really visualize your words for the listeners. But I also started with vulnerable, I feel like my music is concerning sometimes because of how detailed I am about my feelings. But I’ve had this conversations with other musicians and understood the music lasts forever, even though the feeling behind the song only lasted for a day, week, month, etc.”
I know you’re from Brooklyn, how has your city influenced your music?
“I have an interesting relationship with like, where I'm from, because I was born in Brooklyn and lived here till I was about 14 and my parents wanted to move and at the time, Long Island, they got more bang for their buck. When you're from New York City, you’re almost tied to hip hop unless you really don't wanna be, but, it's around you. It’s literally everywhere and its hard to miss. The 20 mile difference gave me perspective.”
Unpack that a bit if you don’t mind
“ I think the perspective influenced my way of thinking about life, which I think is prevalent in my writing or in just my thought process.”
I thought we all love music in the same way but, as I gotten older I realized it different for people.
How has your relationship with music evolved after becoming an artist?
“Sometimes it's hard to listen, especially to new artists because I’m always working and thinking what’s next. Whether it's the next bar, song, visual etc. I don’t want to be influenced to the point where it doesn’t let me become my own artist. It’s hard to be a fan of music sometimes.”
What is your typical creative process?
“There's no start to it really… it just kind of happens. Maybe there's a trigger somewhere that I'm not aware of, but it kind of just happens. Sometimes I feel like I need alcohol, sometimes I need to be a friend… or even a hard break. Sometimes its the production I hear first or the idea of the track. I'm not sure what the beginning is, but, um, the middle I feel like is the longest. Like I've sat on stuff for a minute now and it’s funny because I used to not understand why artists did this, but now I'm that artist.”
It sounds like life experiences could be the spark to your writing
“Yeah man, I shouldn’t even say this but fuck it. My ideal creative session is after a fun night with friends, driving around, a lil high, beats loud in the car, my left hand on my steering wheel and my right hand, on my phone, writing! I know it’s bad but it’s the feeling of everything all at once that gets to me.”
Would you say sitting on music works for the betterment of your art?
“Yeah but, it's crazy to even think about doing music for that long. To be fixated on the best version of a song, verse, hook etc and in-between it all, time is flying.”
What was the hardest song to write for this project?
“Probably my favorite song, “don't let the credits roll.” This song really touches on suicide and self deprecation, as you mentioned. While writing this song, I was so focused on that people wouldn’t like this because it’s pretty dark, you know? It’s not an emotional song but it’s on that line.”
Do you consider the feelings of others often when you’re writing?
“It depends on how specific the lyrics are (chuckles,) like I don’t think I’ve said something too crazy. I do have this song on the project called “Leave Me Now,” where I'm very specific about being with a girl and then like having sex with her best friend; so I did reach out to get her thoughts on it and she was fine with it. The situation happened years ago and we’ve been on good terms.”
Has being considerate about the feelings of others hinder your creativity?
“Nah, I think I pretty much have always said whatever I want to be honest.“
What is the meaning behind the project's title? a short story about love, ego, and death
“In shorter words, it’s about ego death… because I see it as a cycle, right? So the last song on the album is supposed to be like, a rebirth or like the beginning of something new, but it's just gonna happen again.
The constant short cycle in life when you’re excited about something new, humbled by that excitement and have to face your ego.”
“Fight back in a way where you're like, I'm not humbled, you know, I'm, I'm the shit. Or you take it to the chin and you're like, damn, I should be humble. Like, all that is all that is your ego. It's just how your ego's reacting to that. And then, um, just death, which, which I think is part of every, every cycle, right?”
Do you mind elaborating more on the ego death concept?
“In life, you’re always faced with something new. Ego death is realizing that you're the problem. Ego death is realizing your own mortality. I’m 27 now and compared to when I was 16, there used to be a sense of immortality, as crazy as it may seems. With age, you start to realize what matters and how all of your actions, decisions weighs on your mind and body. Ego death is taking care of yourself.”
“Best Unsaid”
“Best Unsaid was fun cause it was with KADOLEAF. I feel like it was probably the first song that we really clicked on, which led to us making an EP eventually. We sound really good together. We've done other things before, but the other stuff felt like we kind of just had an idea and added our pieces separately. This was the first time we came together and collaborated on a song. “Best unsaid” is kind of like a movie. The first verse, the character is in a new happy relationship but by the end of the second verse he’s trying to get back in his previous relationship because of the history they’ve shared, but the girl already moved on. Sometimes you have to let history, be history.“
“Back out”
Back out was just supposed to be sexy…something that really pushes the idea of confidence and embracing that ego.
“Say your in love”
“That beat was insane and the producer who made it didn't see a future for that song, but I saw it from the jump, honestly. To me, it feels like that moment when you're with your partner and there's that moment of physical in sync, you know what I mean? Being enthralled by your partner. The kicks on the track resembled a heart beat and Dachelle absolutely killed her feature and help capture that feeling of infatuation.”
What was the song that made you realize you were creating your next album?
“Hmmm, I would have to go with “hello.” It felt like the beginning of something and I think “hello” was like one of the first tracks completed. That song allowed me to start writing more towards projects concept.”
What is one thing you want for listeners to take from your music?
“I think I'm gonna turn this around and also think about what I want or what I've wanted from the artists that I like. I think what's most important is when people listen to my music, I want them to say “he cares about this.” I feel like whenever an artist shows they care, put time and attention in your music, it clear in the music. Ifpeople can perceive me as somebody who cares. I feel a sense of respect too, because as musicians, we struggle with maintaining because unless we're getting paid, there's this, there's this idea that we're just wasting our time.”
If you weren't this talented musician, what what would you be doing?
“I'm not a very good cook, but (chuckles) I’ll probably be a chef. The other day I was making food with a friend, a lil smacked and it was a lot of fun. There’s just something about preparing a meal and dedicating that time somehow helps with my anxiety. I like that there’s so much to think about when you’re cooking…ingredients, temperature, taste etc. “
You're in an intense game of rock, paper, scissors, what’s your automatic go to?
“Probably scissors first, I’m always quick to throwing up the peace sign.”
Last three albums you listened to?
Lil yatchty - Let’s Start Here.
Ab soul - Herbert
SZA - SOS
FEW GUUD THOUGHTS| King Isis | ‘Scales’ EP| Interview + Review
Oakland native King Isis recently released their debut EP ‘Scales,’ which serves as a sonic force for an coming of age story. King Isis’ first EP is a stunning and introspective voyage of personal growth and validation.
Often times, music could be used as a vessel for self discovery, love and awareness. Oakland native King Isis recently released their debut EP ‘Scales,’ which serves as a sonic force for an coming of age story. King Isis’ first EP is a stunning and introspective voyage of personal growth and validation. Their remarkable vocal range captivates listeners, seamlessly transitioning between vulnerable and powerful tones across the EP's six tracks.
The artist skillfully weaves in themes of natural elements and equilibrium into their music, using them to delve into these concepts with a remarkable depth of feeling that belies their relative youth. The chord progressions performed by Isis serves as the soul for their body of work. The EP takes listeners on a dynamic and immersive journey, exploring the highs and lows of self-discovery with a raw honesty that is both poignant and uplifting. “taste of u,” one of the many stand out tracks, displays Isis tranquil energy despite the driving force behind the pen being resentment. Or even on, “141827 (the only one,)” where Isis breaks away from feeling reclusive in their thoughts and embraces their truth. King Isis' debut is a remarkable work of art, showcasing a rare talent that promises to leave a lasting impact on the music industry.
How’d you get the name King Isis?
“So I'm really bad with names, whether it’s names for a song, project, etc.; I'm not good with them. I wanted to incorporate my name somehow, but there was already a band called ISIS at the time; I think they still make music. My great-great grandmama, her name was Omega King. She was one of the first black opera singers in Chicago. I wanted that family tie to my name, so I combined our names. But also just kind of like, fuck gender!”
How would you describe your music in two words?
“Fairy grunge”
Where are you from?
“I'm from Oakland, California.”
How has your city influenced your music?
“I feel like a bunch of different types of creative people always surrounding me. I feel like the artistic community in Oakland is really small and super collaborative. It's also the birthplace of the Black Panthers. So I feel like for me, music is a tool of expression, but also of activism and resistance. I want to be able to incorporate that in my music too.”
Is the community very supportive as well, or is there a gatekeeping system?
“I feel like it's definitely really supportive. People are putting each other on and going to each other's shows which is awesome. In Oakland, there’s just a lot of inner collaboration.”
How’d you get your start in music?
“My mom is a huge fan of music. She doesn't play music herself, but she put my sister and me into music lessons at an early age. For me, piano and my sister guitar. We were like five.”
(Cont’d) “So growing up, I learned and played a lot of classical music on the piano, but that was my start. It wasn’t till high school that I started playing the guitar, which is kind of what I play with more so now. Less piano, more guitar.”
What made you gravitate towards the guitar more than the piano?
“The program I was in for piano was kind of a lot for a kid. The classical world is very strict… You have to do this, you have to do that, and it just wasn't for me. Picking up the guitar allowed me to figure out different types of music.”
Is it safe to assume you’re playing the guitar on all the tracks?
“Yeah, pretty much. Like the harmonies and stuff or the, the other parts of the guitar, I'm not playing, I'm playing like the main line for most of them.”
How does it feel to be so hands-on with your music?
“It feels real and authentic for me to be hands-on in the process. I'm more of an introverted person, for sure. I like to spend time alone; therefore, I spend a lot of time alone(chuckles.)”
How would you describe your creative process?
“I feel like either the creative process for me starts in my room, by myself with like a good acoustic guitar and a notebook.”
Would you consider making music more of a personal thing for you?
“Music has been a big part of my life. It’s provided healing and growth, and I’ve learned things about myself through making music. So for me to not be hands-on would, would feel a little bit inauthentic. Like even when I do sessions with other people, I still like to start from scratch so that we both contribute from an authentic place.”
When I listen to your music, you remind me of a modern Tracy Chapman mixed with 80’s Prince, and the Soulquarians are behind the boards; Who are some of your influences?
“My mom always played Erykah Badu and Outkast in the house, so Badu is definitely a big influence on my music. But then theres Nirvana; I had a moment when I was really into Fall Out Boy and Paramore during middle school, and I feel like that finds its way into my music. I love Amy Winehouse, and King Kruel is my favorite artist of all time.”
You first came on my radar with “4leaf clover,” what’s the meaning behind the song?
“So I wrote that song, again, in my room alone. It was kind of like the middle of quarantine, and I was feeling like I was kind of in a loop of doing the same shit and feeling stagnant…not being creative or finding inspiration to write. So I was trying to, like, break myself out of that loop with “4leaf clover,” and that's what came out.”
On “in my ways,” you start off the song with “I'm still afraid, in my head. What does it take to ascend? Closed behind all of these open doors. I still hide where I was trapped before” and I feel like that connects to the stuck in the loop process, do you mind unpacking that?
“Like I struggle with anxiety…overthinking, and doubt more specifically. So for me, this song is me saying, “Hey yall, I am afraid I'm stuck in my head sometimes, and I wanna get out of that cycle. I want to get past this cloud that keeps appearing.”
My two favorite songs off of ‘Scales EP’ is “the only one” and “taste of u” - how would you describe the creative process for those songs?
““taste of u,” like always, started alone in my room and stuff, but I actually was trying to experiment more with production using Ableton and Logic. A lot of that stuff didn't end up on the final track, but it felt good just trying shit out.”
(Cont’d) ““the only one,” which I'm still figuring out that title, started in the same way with a guitar and my notebook. I think that’s the oldest song on the project. I wrote that maybe two years ago during the quarantine. I believe I was still in my old apartment at the time.”
How long did it take you to make this ep?
“I'm going to say it took about two years. At first, I was thinking about releasing two short eps, three tracks each, but after I started working with Dirty Hit and No Matter I kind of scratched that idea. It's been in the works for a while, but I'm honestly happy it's all coming together. It tells a larger story and paints a better picture.”
So was this your first time releasing music, or have you released music in the past and you took a pause?
“Yeah, I released songs before independently. I released a three-track ep at the beginning of 2020. I also released songs under my old name that's buried. It’s buried!”
I must ask, what was the old name?
“It was OG ghost ta, and you can see why I changed my name (chuckles.) I feel like these new songs are more representative of me as a person and artist.”
What’s the meaning being the EP title ‘Scales.’
“There are a couple of meanings. The first meaning is balance; you know, scales are balanced. Scales are like the beginning, or a warmup for instruments, or even for your voice you have to do some scales, you know, to warm up. Since this is the first ep I'm releasing officially, this is like my warm-up or even an introduction to me.”
What is one thing you would like for listeners to take from your music?
“That's a big question… hmm, I would say try shit, and it's okay not to be okay sometimes.”
If you weren’t this fantastic talented musician, what would you be doing instead?
“I would probably be a teacher like I want to eventually teach music in like a history class form of learning. To be more specific, I would actually be living in the forest while also teaching music in the forest.”
Why the forest?
“I love nature. I love trees. It's literally like my happy place”
Last three albums you listened to?
Let’s Start Here. by Lil Yachty
God Saved the Animals by Alex G
The Bends by Radiohead
THEGUUDS w/ LĒA THE LEOX, Amaya Santos, House of EL, Hadji Gaviota, Ashoka & femdot.
LĒA THE LEOX - “Purpose”
Lea the LEOX is a Los Angeles-based acoustic R&B singer whose latest single "Purpose" is a reflection of her self-discovery journey. The gentle, intricate string arrangements create a dreamy atmosphere that perfectly complements Lea's soulful vocals. In "Purpose," Lea sings about accepting and embracing herself, realizing that her purpose in life is not just about achieving accolades, but rather stems from a deeper sense of love and connection with her family. The single is the second and title track of Lea's highly anticipated debut EP, also titled "Purpose." Her first single "When You're Lonely," released in January, gives listeners a glimpse into the introspective and emotional world of her music. With her heartfelt lyrics and smooth melodies, Lea the LEOX is definitely an artist to watch in the world of acoustic R&B.
Amaya Santos - “Better”
Amaya Santos, a talented artist based in New York, has released a powerful song called "Better" that encourages listeners to let go of toxic relationships and prioritize self-love and self-care. Her vocal performance on this track is exceptional, with a soulful depth and silky smoothness that soothes the soul and inspires listeners to shed negativity from their lives. The production of "Better" is a beautiful blend of old-school R&B and modern pop elements. The drums provide a steady, strong beat that carries the song forward, while the instrumentation is both nostalgic and fresh. The melody is catchy, and the lyrics are relatable, making it a perfect singalong for anyone who has ever had to cut ties with someone who brought them down. Santos' voice can be compared to a flowing river that effortlessly carries the listener away, while the drums in the production can be likened to a beating heart that steadily pushes the song forward. "Better" is an exceptional track that showcases Santos' impressive vocal abilities and songwriting skills. Last year, Amaya Santos released two singles “Carousel” and “Dance with Danger.” We’re excited to see what else she has planned for the year!
House of EL - “Electric”
House of EL, an artist hailing from Northampton and also known as Kieron McIntosh, has shown his versatility and creativity by exploring new avenues of musical expression, including singing, songwriting, and production. His latest EP, titled "When It Rains It Pours," ensures a sonic journey that builds on his jazz and soul influences. One of the EP's standout tracks is "Electric," which blends jazz and soul elements into a simmering sonic stew. McIntosh's falsetto vocals glide over a melodic groove that is nothing short of irresistible, like the sun breaking through storm clouds on a summer afternoon. Layered percussion and woozy undertones add texture and depth to the track, creating a lush sonic landscape that invites listeners to immerse themselves in the music. With "When It Rains It Pours," McIntosh is poised to showcase his exceptional musicality and remind us of the power of music to transport and uplift us.
Ashoka & femdot. - “Questions”
Ashoka, a talented musician hailing from New York, has teamed up with femdot. for their latest musical project - a powerful collaboration entitled "Questions." On their latest track, Ashoka explores the internal battles between anxiety and depression, while using an lens of storytelling to present what’s been weighing heavy on his heart. Produced by the renowned Lucas Quinn, who has previously worked with Russ, the single channels a classic Alt-Hip Hop sound that takes cues from early-mid 2000s rap. Ashoka's unique delivery, characterized by his rhythmic cadence and introspective lyrics, shines on "Questions," making it a standout track in his repertoire. femdot., a rising star from Chicago who recently impressed audiences with his COLORS performance, adds to the song's appeal with his distinct style. His words are precise and short but, gets his point across thoroughly. In 2020, Ashoka dropped his debut album Through the Fire , which serves as a testament of Askoka’s evolving sound and growth as an musician. We’re excited to see what else he has planned for the year.
Hadji Gaviota - “boi”
Hadji Gaviota, a Queens NY native, has just released his latest single "Boi," showcasing his exceptional musical talent once again. The track features a vibrant and upbeat pop production, perfectly complementing Hadji's smooth and infectious vocals. With his distinct delivery style and impressive vocal range, Hadji effortlessly glides over the bouncy production, bringing the song to life. Frequent listeners will recognize his trademark humor and lightheartedness in the lyrics, making "Boi" a playful and enjoyable listen. As with his previous releases, it's highly likely that an accompanying music video will also be released, showcasing Hadji's dynamic visual flair. Hadji is expected to drop a new project that continues to highlight his musical abilities and charismatic personality.
Written by: Kha Akerson
THEGUUDS w/ Yancyabril, Zachary Moon, coco leilani & BASI VIBE
Yancyabril - “Wait”
New York City-born singer-songwriter Yancyabril has been making waves with her captivating energy and unique sound. Combining elements of Pop, Folk, Jazz, and R&B, her music is a vibrant blend of genres that has won over fans far and wide. “Wait” showcases Yancyabril's sweet and melodic voice as well as her diverse range of sounds. The track's hypnotic beat and ethereal vocals create a mesmerizing atmosphere that draws the listener in from the very first note. As Yancyabril continues to make waves in the NYC artist scene, it's clear that she is a force to be reckoned with. With her captivating energy and unique sound, she is an artist to watch in the coming years. "Wait" is just a taste of what's to come from this rising star.
Zachary Moon - “HOUSE ARREST”
GA based artist Zachary Moon's latest track “HOUSE ARREST” is a smooth and sultry blend of alternative R&B and bedroom pop, making for a dreamy listening experience. On his latest sonic offering, Moon explores the theme of the comfort of being a Lone Ranger and reflects on the past relationship that brought him to this new reality. The production sets a relaxed and laid-back tone, perfectly matching the intimate atmosphere of the genre. The beat soon kicks in, providing a subtle groove that carries the song forward. Moons vocals are silky and soulful; Effortlessly gliding over the melody. The combination of his lyrics and smooth vocal delivery creates a sense of vulnerability and rawness, drawing the listener in and inviting them to relate to his experiences. Last year, Zachary Moon dropped WHAT5VER, which continued to shine an light on his evolving catalog. We’re excited to hear what else he has planned for the year!
coco leilani - “Blue”
Sacramento based artist Coco Leilani recently dropped her latest single “Blue.” On her latest single, Leilani explores the ups and downs of self love through clever wordplay and velvety cadences. Leilani's laid-back delivery complements the mellow production, and her impressive use of reflective similes adds depth to the introspective themes explored in the lyrics. The striking guitar riffs in the beginning sets the tone. The production on this track is understated yet effective, with the instrumentation serving to enhance the mood and feel of the song rather than overpowering it. Leilani’s delivery sparks nostalgia in sound for musicians like Left Eye, Ladybug Mecca and Erykah Badu. Last year, Coco Leilani dropped two singles “Glitter” and “Applesauce,” which are definitely worth a listen. We’re excited to hear what else she has planned for future!
BASI VIBE - “Jaded”
Northern California based artist BASI VIBE recently dropped his latest sonic offering “Jaded.” On his latest single, VIBE, explores the pain of a broken relationship. With raw emotion and soulful vocals, Basi Vibe lays bare his feelings of hurt and betrayal in a way that is both relatable and heartfelt. The chorus is particularly memorable, with Basi Vibe's vocals soaring over a soaring melody that is both haunting and beautiful. "Jaded" is a stunning display of Basi Vibe's talent as both a singer and a songwriter. His ability to capture the complex emotions of a failed relationship is impressive, and his voice is truly mesmerizing. If you're a fan of R&B music that is both honest and soulful, then "Jaded" is definitely a track that you won't want to miss.
Written by: Kha Akerson
THEGUUDS w/ Bert Knox, CONNIE, Ashli & Sufi Hamilton
Bert Knox & KADOLEAF - “best unsaid”
Brooklyn native Bert Knox teams up with DMV artist KADOLEAF for their latest sonic offering, “best unsaid.” Knox recently dropped a new project, a short story about love, ego & death, which displays a chronological depiction of finding self-love through the lenses of vices, relationships, and self-deprecation. The standout track featuring KADOLEAF tells a story of regret and despair while tempting to revive a love that’s run its course. Knox's writing is poetic but directed; he wears his heart on his sleeves but uses different textures to present his story. The production provided by tookhozy sets a perfect atmosphere for both musicians to explore unique flows and melodies. Bert Knox's latest project is a great addition to his evolving catalog. We’re excited to see what else he has planned for the future.
CONNIE - GS1 ft. Zelooperz
Rockford, IL producer CONNIE teams up with Detroit rapper Zelooperz for their latest single, “GS1.” CONNIE’s futuristic production, blended with Zelooperz’s nebulous cadences, creates a refreshing soundscape. This fusion of styles results in a thrilling and dynamic track that brings out the best of both artists. It’s crazy to think that this was a freestyle for Zelooperz. The energy in his delivery feels directed, and the quick-hit metaphors display his ability to communicate his thoughts vividly. On "GS1," CONNIE demonstrates his dedication to innovation and unpredictability in his production. The track perfectly exemplifies his ability to merge different styles and influences to create something new and exciting. CONNIE started his career working with close friend JELEEL! and landed a smashing hit, “DIVE IN.” Since then, he’s released music with Mike Dimes, Louis The Child, TiaCorine, Jabari Manwa & Merlyn Wood of BROCKHAMPTON, Greek, and more. We’re excited to see what else he has planned for the future.
Ashli - “Dance Again”
Ashli, who hails from Western Sydney, has released a disco-inspired single called "Dance Again", following her debut release. The song reflects her coming-of-age experiences and sentimentality in the music industry, conveying the desire for the enjoyable aspects of a relationship without the commitment that comes with it. The song opens with a plush percussive beat that provides clarity to the opening lyrics amidst the swirling synths. The track is a combination of house and R&B music, and its inspiration is evident throughout the soundscape. Ashli's talent for creating captivating melodies and lyrics is evident in the track, which could potentially launch her career to new heights. Last November, Ashli dropped a six-track EP, Only One, which is delightful display of the artist's unique blend of soulful vocals, introspective lyrics, and genre-bending production. We’re excited to hear what else she has planned for the near future.
Sufi Hamilton - “make sense”
Brooklyn based artist/producer Sufi Hamilton recently dropped his entrancing single “make sense.” The funk based production and Hamilton’s vocal experimentation ignites nostalgia, as if he’s recreating an time piece that has become cherished by many listeners of R&B. On his latest single, Hamilton reflects on a previous relationship and tries to find solace with the ending result. Hamilton’s writing is evocative, clearly painting a picture with his words and using an hazy cadence to evoke the emotion. The track was fully written and produced by the talented Brooklyn musician. Last year, Sufi Hamilton dropped two singles “Closer 2 U” and “Video Game.” Our eyes are glued for what else he has planned for this year!
Written by: Kha Akerson
My Abstract Mental by Eimizah
Starting the year off strong singer/songwriter Eimizah has blessed the neo-soul scene with her sophomore EP My Abstract Mental.
Written by: Dakota Thomas
Starting the year off strong singer/songwriter Eimizah has blessed the neo-soul scene with her sophomore EP My Abstract Mental. For the past two years, the La-based artist has been cementing a name for herself with singles like “Teleport Me,” “Divine Feminine,” and her debut EP A Rose From E.If her name sounds familiar she was also featured on Flozigg’s “Inner Piece,” from his sophomore EP Beige. Eimizah’s most recent effort My Abstract Mental is a beautiful conflation of neo-soul and pop melodies woven together with Eimizah’s melodic storytelling and lyricism. Through the 8-song tracklist, we are brought into Eimizah’s mind, specifically her thoughts as she goes through the motions of pursuing love, sex, and passion in Los Angeles. The 18-minute project is the beautiful story of an underdog chasing their dreams while also trying to protect their peace with the occasional bottle of Moscato.
On the 3rd track “Silver Linings,” Eimizah ruminates about her place in life singing “My dreams feel like they're hiding sometimes peeking, know what I want but still feel like what am I seeking?” Eimizah’s lyrics are laced with vulnerability and poetic wordplay as she navigates the doubt that comes with being an artist. On “Basquiat,” named after the late artist Jean-Michel Basquiat, Eimizah references the late rapper and poet Tupac Shakur’s famous poem The Rose That Grew From Concrete. “It’s like 3,000 degrees feel like an outcast, the rose blooming from concrete but sometimes still mad.” The title of the song and reference to one of the greatest rappers ever makes it clear that My Abstract Mental is a love letter and celebration of black artists and black art. Emizah’s vocals are home to artists trying to find themselves and their passion. My Abstract Mental is for the roses sprouting through concrete, with her vocals Eimizah tells us about the rain that dims our pedals but also prepares us for the sun that is to come.
THEGUUDS w/ KADOLEAF, OG MarlynMonROLLUP, hyejin, Whit., & MOIO
KADOLEAF - “MONA LISA”
DMV artist KADOLEAF kicks off the year with his latest hyper-punk but funky single, “MONA LISA,” produced by Tom Carrubba and Stats Nico. On his latest single, KADOLEAF explores the imbalances of meeting someone special through addiction. Through the use of upbeat production and ambient delivery, he deciphers the feeling of love while sober versus under the influence. The production exhibits energy and complements KADOLEAF’s indulging vocal experimentation. In shorter words, this song feels like a trance or even a moment of tranquility. Last year, KADOLEAF dropped a deluxe version of the album Popmonstre and recently featured on Bert Knox’s song “Best Unsaid.” We’re excited to see what KADOLEAF has planned for 2023.
hyejin - “SABOTAGE”
Alternative R&B singer Hyejin recently dropped her highly anticipated EP U GOOD? The three-track EP displays hyejin season ear and vocal ability to ensure her presence is felt. For us, “SABOTAGE,” feels like a song that will stand the test of time. On her latest single, Hyejin reflects on being patient for love while simultaneously acknowledging her desires and tempting to persevere through lustful thoughts. Hyejin’s delivery is angelic, and her descriptive writing makes it emotionally convenient for listeners to connect with her storytelling with understanding. If you’re a fan of contemporary R&B, definitely tap into Hyejin’s evolving catalog. We’re excited to hear what else she has planned for the future.
OG MarlynMonROLLUP - “Vox”
Emerging New York-based artist OG MarlynManROLLUP kicks off the new year with her latest single, “Vox.” Under one minute duration, “Vox” embodies all of the elements that keep a house track moving. The perfect balance of energy and gut-punching lyrics that makes it impossible not to engage. On her latest track, OG MarlynMonROLLUP provides a jammed-packed delivery filled with braggadocios metaphors and exemplified self-awareness that demonstrates her confidence. Last year, OG MarlynMonROLLUP released three singles “Gx3 Freestyle,” “Toxic,” and “It Girl.” Our eyes are glued to see what else she has planned for 2023.
Whit. - “WEIRD FLEX”
Saint Louis, Missouri native Whit. recently dropped a five-track EP, WUNDER: A DEMO DISC, a few days shy of the New Year. This short body of work encapsulates Whit.’s creative realm, and his ability to experiment with different sounds displays his hierarchy as an emerging artist. On “WEIRD FLEX,” Whit. explores the beauty and challenges of courtship. Through the use of smilies and personification, Whit. can express his feelings through poetic lenses. The production alone wears its own character, but Whit.’s cadence carries the song. The writing is joyous and portrays what it means to be in love. Last year, leading to his EP, Whit dropped a few singles highlighting his genre-less creative approach. Our eyes are glued to see what else he has planned for the near future.
MOIO - “SUNBEAMING”
London-based artist MOIO recently dropped his latest self-produced and written single, “SUNBEAMING.” The track brings listeners into a trance as MOIO explores the blissfulness of living fearless and allowing moments of zen to lead his journey. In the process of being open to what life brings, he fears the possibility of things not working in his favor but finds the energy to dance through those worries. The production finds a subtle way to incorporate infused jazz, contemporary R&B, and borderline praise/worship music. The writing is hopeful, and MOIO’s delivery is precise but holds onto the coattail of optimism. The first time MOIO came across our radar was when he produced “BIG FAT LIAR” for Monjola, his brother, whose also a London-based artist. We’re excited to see MOIO step more into his light.
FEW GUUD THOUGHTS| Romeo + Juliet | Raging Bull | Interview + Review
Raging Bull, the latest album from NJ native Romeo + Juliet, is a tour-de-force in modern R&B. In our opinion, he’s coining a new subgenre of R&B we like to call Sci-fi R&B.
Written by: Kha Akerson
R&B is constantly being reinvented and creating sub-genres to continue pushing sound barriers. Raging Bull, the latest album from NJ native Romeo + Juliet, is a tour-de-force in modern R&B. In our opinion, he’s coining a new subgenre of R&B we like to call Sci-fi R&B. The 40-minute body of work, all self-produced and written by Romeo + Juliet, displays his credibility as a well-rounded artist. With innovative production and catchy songwriting, this project is a high watermark in the artist's discography. From the upbeat track “Slide” to the introspective ballad “GEM,” this album showcases the full range of Romeo + Juliet's musical talent. His emotions are descriptive and drenched in metaphors and whimsical smilies that inhabit hopefulness.
Each track on the album offers something unique, yet the cohesive sound ties everything together into a satisfying listening experience. The lyrics are introspective and thought-provoking, tackling themes of self-love, heartbreak, societal discourse, generational trauma, and the optics of appreciating life. The vocals are solid and vibrant, elevating the already impressive instrumentation. He wears his influences on his sleeves in a complimentary way. “Dive Bar” is one of the many stand-out tracks from the project, centers around the blissful moments of vice indulgence. It sincerely feels like a conversation with a happy drunk (if that makes sense.) The guitar riffs and synth chords on “Coocoo” strike right to heart as Romeo+Juliet harmonize against the production. The production value of this album is second to none, with layered soundscapes and creative sound design that shines a light on Romeo + Juliet’s ear. The use of dreamy synths adds an extra layer of interest and keeps the listener engaged throughout.
Raging Bull feels like the perfect score for an indie film. Nurturing in its core but forward-thinking sonically. The beat switches feel paced and unlock another layer of understanding. The words Romeo+Juliet use are poetic, specific, and detailed in emotion. Raging Bill is a triumph in modern music. It sets a new standard for the evolving genre of R&B. This album was stripped away from streaming platforms last year, right around its peak, in effort to evaluate the sound quality and textures even more. We owe Romeo + Juliet a thank you for regifting us this masterpiece.
I feel like you’re coining a new subgenera of R&B, please don’t laugh but when I listen to your music, it feels like Sci-fi R&B
“Wow, that's hard. That is actually hard. It's so interesting that you say that because um, I felt like the question I got most leading up to Raging Bull was what genre are you?
And I feel like, when it comes to just wanting to get a foot in the industry, a lot of times they need those answers because they want to know how to market you…But for me, it's like I'm just making what I wanna make.”
How would you describe your music in two words?
“Ha ha, I hate that question(chuckles.) I get cinematic a lot so I’ll go with that. Maybe euphoric as well.”
Where are you from?
“Born and raised in Jersey City, New Jersey, man.”
Describe your thinking process leading up to Raging Bull
“Man, if I’m being honest with you, I was on my last leg because you know, it comes to a point where like, I gotta pay bills.I don't wanna be a struggling artist forever. I also feel like there's a mentality you have to have as an artist. I mean, to believe in yourself when no one else is listening, lying to yourself almost saying like, no, trust me. With Raging Bull, that was the first time I considered someone can work their hardest and it still does not work out. I feel relieved that it’s working and that I proved myself right.”
How’d you get your start in music?
“I’ve been at it for a really long time. Like most people, I started off in church…Born and raised in a church. That was where I discovered how powerful music can be, you know? Then I started piano lessons after that and slowly started singing. Just trying to figure out, you know, if I could sound like this person, if I could sound like that person, that means I'm pretty good. I remember my older brother just sort of telling me, look, If you wanna be an artist, you have to sing like yourself.”
(Cont’d)
Everything sounds the same, but like my brother was encouraging me not to do that. Which I guess was the start of building a foundation inside me to know that the route that I'm on is gonna take me a little longer because it is sort of against the grain. I was even in a band for a little…I was so focused on getting my 10,000 hours in.”
“NYC”
“So when I did NYC, that was before I had any idea about making a project. “NYC” was me experimenting and I was like, you know what? This sounds really nice. But it was at a point where I was just, living my life, not focused on music.”
“King David”
“It took me almost a year to do King David. I remember working in a testing lab for Covid and different things and I was like writing “King David” on my shift, so I would sneak to the bathroom to record parts of the song on my phone.”
Where did you record Raging Bull at?
“I recorded Raging Bull in an apartment. So like, you know, apartments are super noisy, so I'd have to wait for everyone to be asleep. So I literally record from like midnight to like 4:00 AM, sleep a couple hours and wake up, go to the lab at seven and repeat the cycle.”
What’s the meaning behind the project's title, Raging bull?
“When I was doing this project, I really wanted to look back and know that I did everything with intention and everything with meaning. And I guess I came up with the idea right before the project was done. Raging bull stems from just everything that I had felt internally along the journey, you know? The passion, the rage, the blinded delusion. Plus I was watching a bunch of films at the time and Raging Bull came along, which is an incredible film!”
How has Martin Scorsese films influenced your music?
“He’s the best! there's just levels to his, his films that I enjoy most, you know, it feels like I'm, there's just, it's like it happens in parts. It's almost like Broadway. I feel like when I'm watching his movies where it's like, , part one, part two, intermission, part three, part four. like when I made Raging Bull, I wanted it to flow, but I didn't want everything to sound the same.”
How would you describe your creative process?
“I think the unfortunate thing about how I do music is that I can't do anything if I'm not inspired. it's very strange. I don't wanna say it's an out of body experience, but sometimes it feels like it. I like when it's just flowing. There is no set way. Like I constantly am recording on my phone, like if I have an idea or if I'm talking to you and you say something, I might be like, that's a good idea.
(Cont’d)
Let me write that down, or rather, let me put it in my notes…Let me sing a voice note. . That's how it all happened. So sometimes when I have no inspiration, I'll just look back at all the voice notes I've recorded in the last year.”
What encouraged your decision to take the project down for remastering?
“Full transparency, I started getting calls from everyone, label looks etc. and I was working with a group of people at the time and they were like yo, the music sounds good, but I think it'd be even better if we mixed and remastered it. I thought it sounded as good as it could, but I guess people in the industry thought it could actually sound a little better. It ended up being the best decision I had ever made. For the music, I hate that I lost time, I guess, for people to listen, but I couldn't be happier with how it sounds today.”
(Cont’d)
Kyle is someone I met along the way last year and he's the one who mixed it, super talented. Once he was done, I was like, it's time to give it back to the people, man.”
On “Gem,” you reference your heart at the bottom of the fish tank , let’s unpack that a little. What’s the metaphoric meaning behind the fish tank?
“So “Gem,” I wrote that about the first time I got high, (chuckles). So like okay, in the pandemic, I got high for the first time. At first I didn't think it was working, and then like, I guess it hit me like a train. Like I remember I almost had a, I had a panic attack, you know. I'm like, this is the worst day of my life. And then I remember putting on Mumford and Sons, and then I literally was crying at how beautiful it sounded. What I thought was the worst day of my life somehow became the best day of my life. So I just remember thinking like, all right, when I'm back to normal, like I definitely wanna write a song about this experience. But in shorter words, heart at the bottom of the fish tank, It probably feels to be, I mean, It probably feels to be under the influence of love, but things are not working out.”
What was the hardest song to write?
“It might be King David, I went back and forth with it a lot. I feel like with slower songs, people listen more.So I felt like every single thing that I said had to make sense, you know? I wanted it to make sense because this was the last thing I was gonna do. like I said, I grew up in church, so I guess it was just important for me to just reflect on that.”
“Dive Bar” is one of my favorite songs
“That's the song I’m most proud of. It's just that it flowed, like, once I started writing it, it flowed… nothing was forced. To be honest, like I've always wanted a feel good song that was sort of fast paced, but not in the traditional way, like slide. There was so much thoughtfulness that went into making “Dive Bar.”
What I appreciate about this album is how concise the soundscape is, how was it taking on the producer role as well?
“I always told myself I would never produce. Like, there was a point where I was so super stubborn on just being a singer. I didn't even wanna write songs at a point. I have a hard time putting things into the words to describe what I want, you know? So I just felt the best way for me to do this was to just learn for myself. That was also why it took me a long time to make, because I didn't know what I was doing.”
You’re one of the first artist where the tiktok algorithm worked out for you. How has tiktok changed your trajectory in music?
“One thing I will say is TikTok was my absolute last resort. . before I got on TikTok, I didn't spend any time on TikTok, like leading up to that, I started trying to study the algorithm, trying to see like the best way for me to get my stuff out there.
(Cont’d)
Early TikTok was known for dance videos and I felt that my music wasn’t something to dance to so it felt like a waste of time putting my music on that platform. But one thing I did know was I couldn't look back and say I tried everything. If I didn't put my music on the most popular music platform.”
You’ve mentioned your brother a few times throughout our conversation, how has he influenced you?
“Yeah, my brother is amazing. His name is Zeb. I have two brothers, but Zeb was the one that was really into music and really just knowledgeable about everything. He was the one that brought home Kanye West, College Dropout & Late Registration; Eminem, the Eminem Show album…Get Rich Or Die Trying. . He even put me onto Pharrell, NERD. I learned everything from everything that he brought to the crib, he really introduced to me a lot of things you know what I'm saying? On top of introducing me to new music, he’s always encouraged me to be an individual at the end of everything as well.”
(Cont’d)
I say that I produce everything, but he actually produced the second half of Motherland, 3:00 AM. He produced that.
What’s next?
Yo. That's a good question. People have been asking me for vinyls, so I'm working on that. I would really like to go on a small tour and maybe do merch of some kind. I want the people to have some sort of memorabilia to remember this moment.
Last three albums?
Nancy Wilson - Guess who I saw today?
Mac Miller - Macadelic
Little Simz - No Thank You
Photos by @brevitymediaco
FEW GUUD THOUGHTS w/ N’Shai Iman | Interview + Review
Detroit native N’Shai Iman recently dropped her second studio project Love Ain’t Thrill, a perfect exploration of the ups and downs of love.
Written by: Kha Akerson
Detroit native N’Shai Iman recently dropped her second studio project Love Ain’t Thrill, a perfect exploration of the ups and downs of love. The neo-soul-focused production aligned with Iman’s colorful harmony arrangements is flawless. On her latest sonic offering, Iman sonically paints a picture of the transition of love. The falling, the landing, the injury, and even the recovery.
The opening track, “Butterflies,” describes that initial feeling of that connection. Iman’s voice is strong and passional. Her writing is descriptive but does not shy away from the subject. On “Love Ain’t Thrill,” she shows her available vulnerability while acknowledging that the relationship may not be as smooth as she initially imagined. “Come Closer” has an organic bounce that makes it irresistible to not be in awe at Iman’s ability to tap into subgenres while maintaining a neo-soul presence. The transitions on this project piece the story together gracefully. The poem by Poetess sets the tone and grasps the pace of Iman’s storytelling. Even the voice note provided by her mother on “Not Love Fr” displays the grounding presence of loved ones.
Love Ain’t Thrill embodies the evolving soundscape of neo-soul and R&B. N’Shai Iman's creative direction feels boundless and adorns the skill set of many other musicians that left their mark on the genres. Last year, Iman released her debut project, Transitions, and we’re excited to see what she has planned for the future.
How would you describe your music in two words?
“Mellow and Funk”
Where are you from?
“Detroit”
Ayye the home of Motown, How has that legendary musical hub Influence your music?
“My parents always played music when I was young, especially on Sunday, when its cleanup day (chuckles). They were always playing music from Motown artist and I feel that’s been a influence in my life and music.
(Cont’d) Music has always been a passion for me and I love to write. When my sister and I were younger, we would play with our dolls and write little musicals for them and what not. It was the little stuff like that just helped me where I am right now.“
How’d you get your start in music?
“I sang at my church one day, and then there was a guy who was an engineer and producer. He was like, Hey, um, I have a little studio if you wanna just come through. I just had a couple songs. I just write every now and then, but wasn't really expecting anything out of it…but I released some music underneath my old artist's name, Imani, which is my real name and received a lot of good feedback.”
What made you change your artist name?
“It was getting harder for people to find my name on streaming, like, there’s a lot of Imani’s out here. Not going to lie (chuckles). So then I combined it with my middle name N’shai. So I officially started music in 2018.”
What’s the meaning behind Love Ain’t Thrill?
“I wanted to show love in a different light. Love is not always gonna be fun and filled with gum drops. It’s going to be a cool rollercoaster with many ups and downs, you know what I’m saying?
(Cont’d) Love A’int Thrill is gonna take you on a journey of the honeymoon phase through what’s the real relationship intentions…the process of breaking up and moving on. This project pains the journey of heartbreak.“
What was the first song that made the project?
“Well I had a bunch of songs I was working with but …The two songs I made first were “Butterflies” and “Can’t Hold Back.” It’s funny because these were made for a school event. I believe it was a love meeting, something that… but yeah I was asked to make a song about love and I figured I’ll make two so I could perform a bit more. When I think about it though, “Distance” was the turning point for me and made the idea of the project more real.”
How long did you work on the project?
“I would say about six months all together. I had a bunch of songs done already.”
What was the hardest song to write and why?
“Tell me” was a littler harder because it’s mainly just a rap. Originally, I was featured on the song by these two artists, Omelo and Coyé but then I was like, Hey, I'm not gonna lie. This song is fire. You mind if I just put this on the project and they were cool on it. I wanted to be on the same vibe of Koge on it because he was fire. So I really had to think about my lyrics and choice of vocabulary.”
How would you describe your creative process?
“I changed up my process while working on the project. Usually I’ll fill out the beat, maybe figure out a theme or some kind of chorus and go off of that. But with “Love Ain’t Thrill,” I listened to the beat and I was like, let me just go straight to my studio and just see what I do there. So I sang some kind of melody just to see what the vibe was, and then I left it to the side. Then the next day I went on there and did a different melody and kind of merged the two and put some lyrics on it.
(Cont’d) It felt cool because it was just a different way of working on music. That song and a couple other songs, I used that method for. “Not Love For Real” was another song that I was like, okay, let me just put It to the studio. I'm starting to vibe off that little process.”
How do you find your production?
“Right now it’s been Youtube beats. I’ve been liking these two producers, 8teen and Yogic Beats. But now I'm starting to reach out to different producers cause I want a different sound and to work with different people. It’ll help me get out of my comfort zone as well.”
Compared to your last project, Transition, what did you do differently
“I think the creative process was really different and even the way I was listening to beats. I also noticed my voice kind of changed as well, so I made songs that were more fitting to my voice. During Transitions, I could hear myself getting out of my range a lil bit. I was focused on hitting notes that went well with the beat but now I focus on what makes me feel comfortable while performing the song.”
As a listener, I could hear your vocal growth and honestly love the new harmonies you’ve playing with.
“That's so funny when you say harmonies, like, I wanted to add more harmonies while working on this album. When I was making music underneath my old artist's name , my engineer, he was helping me with harmonies and a bunch of other stuff at that time. So with that help,I started to really like how harmonies sound in my music and I wanted to incorporate that more into each song.”
The transitions add so much detail to the project, can you describe that process?
“ I think this was right after I listened to Beyonce’s new album Renaissance. Those transitions are so fire and I wanted to incorporate more transitions. So I brought it up to my engineer and he made it happen. Like, the poem transitioned into “Distance;” I wanted someone to talk about the feeling of love at that point of the album and I thought it was done so nicely. Or even “Not Love For Real,” where I added the voicemail from my mom. I wanted my experiences to be part of the project.”
Your cadence and harmonies on “Not Love Fr” are spotless, how did this song come about?
“I feel like that was one of the last songs I finished. I needed something between “Move On” and “Hold the Phone.” I needed something there to explain the feeling of what’s missing in a relationship despite both people being present… like it’s the relationship, not the person kind of thing. It was one of those songs I brought to the studio and felt the beat out, didn’t force anything.”
How has TikTok expand your fanbase?
“ TikTok is that platform, I'm not gonna lie. It's so nice because you get to meet people who are just as passionate as you are and I just love that. What really pushed me onto TikTok was when gendirect posted “Lost” on there. Once that kind of blew up, it pushed me to let go of that tiktok stigma because at first I was like, I'm not messing with TikTok (laughs) But it’s amazing building up that support system on the platform.”
What’s next ?
“Right now, I’m working to get some visuals out for next year and do some more live performances. I wanna put myself out there some more.”
Last three albums you’ve listened to?
Sza - SOS
Destin Conrad - SATIN
Hiatus Coyote - Mood Valiant
HONORABLE MENTION
LOLA BROOK - “DONT PLAY WITH IT”
FEW GUUD THOUGHTS w/ Gabby Parafina — Interview + Review
Right before the summer comes to an end, Philippines based artist Gabby Parafina drops his debut project Therapy.
Review | muse
Interview | Kha
Right before the summer comes to an end, Philippines based artist Gabby Parafina drops his debut project Therapy. Rounding off at 11 tracks, this project is the epitome of love lost and the internal battle we’ve all experienced when a relationship ran its course. The body of work has a soothing sound that’s pioneered by Parafina’s vocal arrangements. His ability to experiment with different riffs while maintaining a low tone is impressive and signifies his willingness to trust his creative gut. While listening to his project, Parafina’s influences bleed through gracefully.
There’s multiple songs that should resonate with the audience on a variety of levels. On “Proximity,” Parafina paints a beautiful picture of what he felt was love; which feels pure and genuine. On “Saturday Disco,” he explores his creative canvas by creating unique pockets in the production, displaying his ability to make the music work for him. The lucidity of the track was infectious, almost a levitating experience. “One” is a perfect example of captivating storytelling over an unplugged-ish production.
Gabby Parafina produced and wrote the entire project over the course of a year. His metaphoric writing allows his music to be left for interpretation but the emotion that guides his pen is clear as day.
How’d you get your start in music?
“I started making music in 2016, the same year my dad brought me my first iPhone. I didn't play much games on it; only used the GarageBand app to make music”
“When I first started making music, I wasn’t making R&B music, it was mainly hip hop/trap music at first. But then I got the budget to purchase a MacBook and that’s how a lot go the sounds you hear now came to light”
Do you produce your own music?
“Yeah, I produced the whole Therapy album by myself”
Logic or GarageBand?
“Definitely GarageBand, I find other daws super complicated at times”
Who are some of your influences?’
“A lot (chuckles)… uhh I have to start with Tyler, the Creator. Then there’s Frank Ocean, Earth Wind and Fire. This musician named Christian Kuria is one of my main influences, along with Daniel Caesar to be honest”
How did Therapy come about?
“I think it stems from a recent heartbreak I went through. I wanted the project to tell a story of the reckoning experience of the relationship.”
Would you describe heartbreak being the core theme of the project?
“Yeah, somewhat. There’s a romantic factor that standouts.The whole concept of this album is like giving your all to somebody, you’re expecting that person to reciprocate it but it ends up going otherwise. This project is the first time I’m being very honest with the writing.”
What was the hardest song to create on the project and why?
“I would say the song “two.” It almost didn’t make the project because… it was just super hard for some reason. I think all the pain that I experienced came to my mind while writing the song. The memories I relied on while writing the song made me very emotional.”
Hearing your struggles about writing “two” is interesting as a listener because for me, that song feels like a pivotal moment on the project. That’s when the production starts to switch. How would you describe your typical creative process?
“Watching movies… key moments in films I can relate to helps with that process. Or even just talking to friends, hearing their unique everyday experiences.”
What are some of those films that influence the project?
“It’s not a film but, the show Euphoria played a role…I would say the aesthetic of the show. That’s why there’s moments on the project that feel glittery or even a late night vibe.”
Going back to the title therapy, are you someone who utilizes that outlet?
“I associate therapy with music. When I feel like I have something I need to get out, I start writing lyrics. It’s hard for me to be straightforward with my feelings, so when I need to express myself, I write songs”
Are you the type of artist that’s constantly writing or do you designate time for it?
“I think I write efficiently when I’m not thinking about anything else. So I have to sit down somewhere, like a corner to get it done.”
Your project embodies that intensity of falling in love, falling outta love, and then eventually falling in love with yourself. What was the connection between “1” and “2”?
“The narrative of “1” is before the pivotal moment of the story. It’s the courting in the relationship, while “2” is sort of the self-realization of one's worth. I say this because the project is split into two parts. “Proximity” to “1” is one section and “Two” to “you don’t know” is the second portion. When I was working on “two” and onwards, I started to become more conscious on how love works in this generation.``
So the project drops on August 19th and you end the project with the song “Summer.” Was that intentional?
“(Laughs) No, that was unintentional. That song was not part of the bigger concept of the project… When I think about it, I made that song, along with “lotus(v2),” just for fun.”
Your music sounds big, as if you’re cashing out on an expensive studio, what’s your recording set up?
“Honestly, I don’t have professional recording equipment. My main tools are a mic, interface, two monitors and my iPhone. I cater being able to use these efficiently to the pandemic. I really got the time to perfect the sound I wanted.”
How long did it take you to make the project?
“About one year. I had a lot of free time and it allowed me to truly focus on the music.”
What’s next?
“I want to expand myself. Discover new sounds and make more unique music.”
Last three albums?
Gemini Rights by Steve Lacy
IGOR by Tyler, the Creator
Astroworld by Travis Scott
THEGUUDS w/ Bert Knox, Aniya Teno, Trey Graves, Bliss Samsa, Lucas, Neema Nekesa, Fernie & Magi Merlin
Bert Knox - “CLOSURE”
New York artist Bert Knox makes his return with “CLOSURE.” On his latest single, Knox reflects on a relationship that ran its course and embraces the final chapter of that love journey. His descriptive storytelling paints a picture for his listeners to comfortably digest his anecdote. This song has a sense of optimism that lingers gracefully, but Knox accepts what’s best for the future, despite holding onto what could’ve been. Knox is known for verses with enriched metaphors and tongue-in-cheek personifications that highlights his personality but he decided to scale it back this time around and allow his melodic cadences to be the driving force. The contemporary production and etheric synth arrangement allowed Knox to write an ode for what was once love. Since last month, Bert Knox has dropped a song consistently every Friday as part of his Age of Aquarius series. Songs like “TODAY” featuring GLENWORLDTOUR and “1800 AFTER 2AM” are a few of the standouts for us. We’re excited to see what else Knox has planned for the future.
Aniya Teno - “Take A Look”
New Orleans-based artist Aniya Teni recently dropped their latest single, “Take A Look.” On their new single, Teno is looking in the mirror and facing reality, breaking down the things she needs to be fulfilled in a relationship and giving her partner the grace they need for not being able to provide that comfort at the moment. This song has the tempo and feel of a 90’s R&B track. The drum pattern meshed against Teno’s vocal presence is alluring. While Teno’s voice is the driving force of the track, it's the self-love and awareness that’s the true beauty of this song. Last year, Aniya Teno dropped a few singles, “Direction” and “Eve” being the most notable. We’re excited to hear what else she has planned for the future.
Trey Graves - “Pure.img”
Memphis, Tennessee artist Trey Graves drops his latest offering “Pure.img.” On his latest single, Graves taps into the blissfulness of life and allows his mind to lead his disassociation for happiness. It feels as if he’s asking his lover to take a leap of faith with him, but whole-heartily understand their hesitation. The flip to Gene Wilder’s “Pure Imagination” was one of the few elements that caught our ears. The production provided by Go Ronnie sets the tone for Graves to create a safe haven for himself and his listeners. The steady funk bass line throughout the track keeps Graves grounded while his angelic vocal arrangements is given a chance to explore gracefully. Earlier this month, just shy of 16-minutes, Trey Graves dropped his latest project Charm, which displays his artistry at a wider scale and close-knit dedication to pushing R&B forward. We’re excited to hear what else he has planned for the future.
Lucas - Caprisun
FL-based artist Lucas returns with another tenacious single, “Caprisun.” This song is exactly what you would expect from a piece with a title like this; bright, fun, and a nice bounce that makes it impossible not to be drawn in by Lucas’s cadences. On his latest single, Lucas provides a jammed-pack verse with witty similes and heavy-sounding consonants that emphasize his intriguing delivery. Being a Massachusetts native and finding his day down in the sunshine state explains the broad spectrum of sounds that holds the song together. Imagine a more melodic Guru over modern experimental hip-hop beats. Lucas holds no punches when displaying who he is currently while at the same time manifesting who he will be in the future. Last month, Lucas dropped “zizou,” and expected to drop a new project, Palm Trees and Fake Smiles. We’re excited to hear what else Lucas has planned for the future.
Bliss Samsa - “Cold Shoulder”
India-based artist Bliss Samsa recently dropped his latest sonic offering, “Cold Shoulder,” to follow up on his debut single, “Father Figure.” On their latest single, Samsa poetically expresses the heartache of losing someone that you once shared a deep connection with. He mentioned dabbling with vices to cope with the loss, but ultimately, his mind continues to yearn for that comfort of love. Produced by frequent collaborator Simon Gardner and UK-based producer bb, the blend of 80’s synth pop and puddly-like bass chords aligns with the emotions that support Samsa’s writing. The ascending production provides an atmosphere for Samsa to explore angelic melodies with an unfeigned delivery. Bliss Samsa seems like an artist that’s not afraid to bend the rules and has the creative courage to try new sounds. We’re excited to hear what else he has planned for the future.
Neema Nekesa - “Lost”
Rotterdam-based singer/songwriter Neema Nekesa recently dropped her highly anticipated EP Lost. The 4-track EP is filled with many gems, but the track that stands out is the title song, “Lost.” On her latest single, Nekesa is honest and takes ownership of not taking a breakup very well. She admits to feeling lost but acknowledges it’s just a moment that will soon pass by. This song feels nostalgic like it's an interpolation of a bunch of late 90’s R&B melodies wrapped into one track. The production feels modern, but it's Nekesa’s vocal presence and melodies that feel familiar in a good way. After you’re done listening to “Lost,” indulge in the entire 10-minute sonic offering.
Fernie & Magi Merlin - “DOLLA BILL”
Montreal native Fernie comes back with their latest groovy tune, “DOLLA BILL,” with Magi Merlin. This song perfectly balances traditional house and modern R&B. Fernie, and Magi Merlin's vocal presence complement each other gracefully. Hearing that this song was sitting on a hard drive for a while until producer Funkywhat brought it back to life for the greater good of music lovers still amazes us. The engaging house-based production allows the duo's carefree mentality to exude without barriers. While this is the first time the two have come together for a collaboration, their solo efforts are making a mark. Last May, Magi Merlin dropped her 90’s house-based project Gone Girl. In 2021, Fernie released their debut project Aurora, which embodied contemporary R&B and soul elements. We’re excited to hear more collaborations from the two.
Painting Naked. - Perry Maysun
Perry Maysun has been an impossible name to ignore in the underground scene this summer.
Written by: Howie Butler
Perry Maysun has been an impossible name to ignore in the underground scene this summer. The New Yorker has added the newest installment to his 2022 run with the mixtape Painting Naked. The 13 song tracklist has as many confident performances as emotional introspective ones, but it’s the moments that find themselves somewhere in between that are exceptional alternative hip-hop.
The genre tends to deliver its highest quality when release quantity is sparse, which is why another incredible full length project in such short succession is baffling. Even when the project sees its most chaotic moments, that chaos is beautifully sequenced and harmonized.
Versatility is the most noticeable trait of this project – Perry’s deliveries alone vary from the Beast Coast bars to Spoken Word to Auto Crooning. Painting Naked serves as an exceptional appetizer to his upcoming December 28th album, Theater 14.
ULTRAVIOLET - Will Cherry
Last month Cleveland, Ohio artist Will Cherry released his latest project ULTRAVIOLET. This artist uses his 10-track album to demand your ears a listen to the variety of sides he has to show.
Written by: muse
Last month Cleveland, Ohio artist Will Cherry released his latest project ULTRAVIOLET. This artist uses his 10-track album to demand your ears a listen to the variety of sides he has to show. Will Cherry refuses to give you a track that has a dull moment; His tracks work to consistently show you beat switches, different melodies, and creative pockets. The self produced piece of art is also one to be noted for. “All That” admires early Travis Scott vibes that forces crowds to jump into moshpit mode. The ending bridge was a beautiful segway into the nostalgic sample of nickelodeon's All That theme song. “Hold Me Down” was a textbook example of how to bring lyrics and cadence to the table when it comes to rapping.
“Wants + Needs” easily displays the potential thought and processes it took to select different flows; challenging different pockets of the beat in effort to display his talent. Cherry’s delivery shines just as much as the production. If you are the type of listener that looks for boom-bap hard hitting verses,“Junior” is perfect for you. “Worst of Me” oozes flashing lights, borderline edm essentials. Lyricially, this track is abstract, while at the same time specific enough, allowing his words to paint vividly.
The lofi production of “Southside” has a deep and dark aroma with pungent hints of r&b. The three beats switches are each beautiful and can truly stand on their own. Last year, Will Cherry released a deluxe version of his 2020 project BURGUNDY.
